AFI’s 10 TOP 10 – American Film Magazine

1. THE GODFATHER (1972)

THE GODFATHER (1972)

Cast: Marlon Brando, Al Pacino, James Caan

Directors: Francis Ford Coppola

Producer: Albert S. Ruddy

Writer: Mario Puzo

Editor: William Reynolds

Cinematographer: Gordon Willis

Genre: Drama

Production Company: Paramount Pictures Corp., Alfran Productions, Inc.

Composer: Nino Rota

In August 1945, during the lavish wedding reception of his daughter Connie, Don Vito Corleone, head of a large New York crime family and “godfather” to the Italian-American community, listens to requests for favors, honoring a long-standing Sicilian tradition that a father cannot refuse a request on his daughter’s wedding day. While FBI agents jot down license plate numbers of the guests, and hundreds of celebrants dance, eat and gossip in the Corleone family’s Long Beach compound, Don Vito, assisted by his foster son and consigliere , Tom Hagen, listens to a plea by the undertaker Bonasera, who seeks justice for two American boys who mercilessly beat his daughter. After mildly chastising Bonasera for refusing his friendship in the past, Don Vito agrees to help in exchange for some future service. Next, Don Vito greets the amiable baker Nazorine, who seeks help in preventing the deportation of Enzo, a young apprentice baker who wants to marry Nazorine’s daughter. Outside, as the family welcomes guests such as crime boss Don Emilio Barzini and Don Vito’s godson, popular singer Johnny Fontane, Michael Corleone arrives at his sister’s wedding with his American girl friend, Kay Adams. Michael, college educated and a decorated soldier during World War II, relates stories about Luca Brasi, a large, violent man who is unquestioningly loyal to Don Vito, but tells her “It’s my family, Kay, not me.” In Don Vito’s study, the final supplicant is Johnny, who cries that powerful studio head Jack Woltz refuses to give him an important part in a new war movie, even though it would be a perfect, career-saving role for him. After slapping Johnny like a child and admonishing him to be a man instead of a “Hollywood finocchio,” Don Vito comforts him and promises to help. Just before his father-daughter dance with Connie, Don Vito talks with his son Santino, nicknamed Sonny, and Tom, telling them that Connie’s new husband, Carlo Rizzi, may have a job, but should never be privy to the family’s business. Don Vito also instructs Tom to fly to Los Angeles to speak with Woltz. At Woltz’s studio, when Tom politely suggests that Johnny be cast in the war film, Woltz angrily dismisses him with curses and ethnic slurs. However, after Woltz has learned that Tom is representing the Corleone family, he invites Tom to his lavish estate and apologizes for his earlier rudeness. When the men sit down to dinner after Woltz has shown Tom his beloved race horse, Khartoum, Tom again asks for the part to be given to Johnny, prompting Woltz to erupt in a rage, shouting that Johnny “ruined” a young starlet with whom Woltz had been having an affair, thus making him appear ridiculous. One morning a short time later, Woltz discovers the severed, bloody head of Khartoum in his bed, prompting him to scream in terror. Back in New York, Don Vito is approached by Sollozzo “The Turk,” a ruthless, Sicilian-born gangster who owns poppy fields in Turkey. Sollozzo, who has the backing of the rival Tattaglia family, proposes that the Corleones finance his drug operations. Although Tom and Sonny have argued that narcotics are the way of the future, and Sonny tries to say so in the meeting, Don Vito refuses to risk losing his political influence by embracing the drug traffic and declines Sollozzo’s offer. Later, Don Vito privately asks Luca to let it be known to the Tattaglias that Luca might be interested in leaving the Corleones. Just before Christmas, when Luca meets with Sollozzo and one of the Tattaglias, he is caught off guard, stabbed through the hand and strangled. That same evening, Fredo, Don Vito’s meek, oldest son, tells him that their driver, Paulie Gatto, has called in sick. Before entering his car, Don Vito decides to buy some fruit from a vendor and is shot several times by assailants who flee before Fredo can react. Tom is kidnapped by Sollozzo that night, and later, as Michael and Kay leave the Radio City Music Hall, Kay notices a newspaper headline announcing that Don Vito has been killed. Stunned, Michael immediately calls Sonny, who relates that their father is barely alive in the hospital and insists that Michael return to the safety of the family’s Long Beach compound. Late that night, Tom is released by Sollozzo, who is infuriated that Don Vito has survived the attack, and warns Tom that he and Sonny must make the narcotics deal with him and the Tattaglias. At the compound, Sonny and Tom try to insulate Michael from their discussions about the family business, knowing that Don Vito had wanted him to have a different kind of life. While arguing over whether or not to take Sollozzo’s deal, they receive a package of a dead fish, a Sicilian symbol that Luca “sleeps with the fishes.” Now the hot-headed Sonny insists that there will be a war between the Corleones and the Tattaglias. Sonny tells Clemenza, one of his father’s lieutenants, to buy mattresses and other supplies to house their men in a safe place during the war and instructs Clemenza to kill Paulie for his part in Don Vito’s ambush. A few days later, frustrated by his enforced idleness, Michael goes into New York City to have dinner with Kay. After telling her that she should go home to New Hampshire, but not saying when they will see each other again, Michael goes to visit his father. When he finds the hospital floor deserted and Don Vito’s room unguarded, Michael checks to make certain that his father is alive, then calls Sonny to relate what has happened. After moving Don Vito’s bed with the help of a nurse, Michael whispers in his ear, “Pop, I’m with you now.” Moments later, when the baker Enzo innocently arrives to pay his respects, Michael advises him to leave because there will be trouble, but Enzo enthusiastically offers to help. Michael and Enzo then wait on the steps of the hospital. Because of their menacing appearance, when a car stops, the thugs inside see what they think are Don Vito’s guards and drive off. Just then, several police cars appear, and the abusive Capt. McCluskey starts yelling at Michael for interfering, then brutally punches him in the face before Sonny, Tom and their men arrive. The next day, Sonny argues that they must hit back at Sollozzo, even though the corrupt McCluskey is his protector. Because Sollozzo is now asking for a meeting with Michael, who is regarded as a “civilian,” Michael volunteers to kill both Sollozzo and McCluskey. A bemused Sonny does not want Michael involved, and Tom argues that this is business, not personal, but Michael insists that to him it is business. When Sonny learns from a police informant that the meeting will be held at Louis, an Italian restaurant in the Bronx, Clemenza arranges for a gun to be planted in the men’s room, then teaches Michael how to kill at close range. At the restaurant, Sollozzo offers a truce to Michael if the family agrees to his terms. After excusing himself to go to the men’s room, Michael retrieves the gun from behind the toilet, walks to the table and shoots both McCluskey and Sollozzo in the head, then coolly walks out to a waiting car. To avoid being the victim of a revenge killing by the Tattaglias, Michael is forced to leave for Sicily for an extended period without saying goodbye to Kay. When Don Vito, who is now recuperating at home, hears that Michael killed Sollozzo and McCluskey, he weeps over Michael’s involvement. While Michael is in Sicily, a wave of violence envelopes the Corleones, the Tattaglias and the other members of the five New York crime families. At the same time, Michael falls in love at first sight with a beautiful Sicilian girl, Apollonia, and soon marries her. Some time later, when a pregnant Connie hysterically calls home and tells Sonny that Carlo has beaten her, Sonny, who had previously warned Carlo never again to hit his sister, impulsively races away from the compound without waiting for his bodyguards. When he stops to pay a toll on the deserted highway, he is ambushed by several henchmen who riddle his body with bullets before speeding away. That night, after Tom reveals Sonny’s death to his father, Don Vito says that the killing must now end and orders no more acts of vengeance. Later, he accompanies his son’s body to Bonasera’s, where he tearfully asks the undertaker to repay his debt by making Sonny presentable to his mother. Shortly thereafter, Don Tommasino, Michael’s protector in Sicily, tells him of Sonny’s death and says that he and Apollonia must leave for their own safety. As they are about to leave, Apollonia decides to surprise Michael by driving his car. Moments after Michael sees one of his bodyguards, Fabrizio, suspiciously run away, Apollonia dies when the car explodes. In New York, Don Vito has called a meeting of representatives of the five crime families of New York and New Jersey, asking for peace. After arguments on both sides, the families reach a peace accord and agree to enter the narcotics trade. As they are driving home from the meeting, Don Vito tells Tom he finally realized at the meeting that Barzini has always been behind the Tattaglias and was responsible for everything. Some time later, Michael goes to New Hampshire, where Kay has been teaching. Although he has been home for more than a year and not contacted her, he tells her that he loves her and asks her to marry him. She is reluctant, and does not understand why Michael now works for his father, but agrees because of her feelings for him and because he assures her that within five years, the Corleone family business will be completely legitimate. Soon Michael becomes the tacit head of the family as Don Vito semi-retires. Michael plans to sell the family’s olive oil business, which had been a legitimate cover for their gambling and prostitution operations, and become the sole owner of a Las Vegas casino. He sends Carlo to Las Vegas, as well as Tom, privately telling the disappointed Tom that there will be trouble at home and Tom is not a “wartime consigliere .” Weeks later, on a business trip to Las Vegas, Michael is annoyed that Fredo, who was sent to Las Vegas several years before, has let himself become subservient to Moe Greene, their partner in the casino. When Greene angrily refuses to sell his interest in the casino, Fredo sides with Greene, prompting Michael to warn him never again to side with someone outside the family. One afternoon, Don Vito warns Michael about Barzini and predicts that the person who suggests a meeting with Barzini will be a traitor setting Michael up to be killed. That same afternoon, while Don Vito plays with Anthony, Michael and Kay’s three-year-old son, he has a fatal heart attack in his vegetable garden. At Don Vito’s funeral, Salvatore Tessio, another Corleone family lieutenant, tells Michael that Barzini would like a meeting. Tom is surprised that Sal, rather than Clemenza, is the traitor, but Michael realizes that, for an ambitious man like Sal, it is the smart move. He then reveals that the meeting will be held after the baptism of Carlo and Connie’s baby, also named Michael, for whom he has agreed to be godfather. While the baptismal ceremony takes place, Barzini, Tattaglia and several other Corleone enemies are gunned down in New York and Greene is killed in Las Vegas. At the compound, Tom confronts Sal, who says to tell Michael that it was only business, and resigns himself to his fate. That afternoon, Michael confronts Carlo, promising him leniency if he will just confess that he set Sonny up to be murdered. Though terrified, Carlo believes Michael and reveals that Barzini was behind it. Moments later, thinking that he will be driven to the airport, Carlo enters a car and is strangled from behind by Clemenza. When the Corleones are packing to move to Las Vegas, an hysterical Connie rushes into Don Vito’s old study and accuses Michael of murdering Carlo. Kay tries to calm her down, but when she and Michael are alone, she asks if it is true. Michael initially erupts in anger, then says that, just this one time, Kay may ask him about his business, then answers “No,” and the couple embraces. This satisfies Kay until she sees Clemenza kiss Michael’s ring and address him as “Don Corleone,” before his lieutenant, Neri, closes the study door.

2. GOODFELLAS (1990)

GOODFELLAS (1990)

Cast: Robert De Niro, Ray Liotta, Joe Pesci

Directors: Martin Scorsese

Producer: Irwin Winkler

Writer: Nicholas Pileggi

Editor: Thelma Schoonmaker

Cinematographer: Michael Ballhaus

Genre: Drama

Production Company: Irwin Winkler Productions, Warner Bros. Pictures

In 1970 New York, gangsters Henry Hill, Tommy DeVito, and James “Jimmy the Gent” Conway, hear banging as they drive through a remote area at night. Stopping at the side of the road, Henry opens the trunk to reveal a man covered in blood, barely alive. Tommy curses the man and stabs him, while Jimmy shoots him multiple times. Henry, who is half-Irish and half-Italian, recalls that from a young age, he always wanted to be a gangster. Fifteen years earlier, in 1955 Brooklyn, young Henry lives across the street from a taxicab stand run by Tuddy Cicero, whose brother, Paul “Paulie” Cicero, is a local Mafia boss. Henry gets a job working at the cabstand. His abusive father approves at first, but beats him when he learns Henry has been skipping school. Eventually, Henry drops out of school entirely, performing odd jobs for the Mafia, waiting on gangsters, selling cargo from stolen trucks, and vandalizing cars. He achieves a milestone when he is arrested for selling stolen cigarettes. After he is let off, Henry is greeted by Jimmy Conway, a formidable Irishman with a knack for hijacking trucks, who tells him he just learned the two greatest things in life: “Never rat on your friends, and always keep your mouth shut.” In 1963, at a bar run by Mafia connection Sonny Bunz, Henry discusses a potential heist at Idlewild Airport with Jimmy Conway and Frenchy, a corrupt airport guard. Meanwhile, Tommy DeVito, a known hothead, beats Sonny Bunz for demanding he pay his outstanding $7,000 tab. Later, Tommy talks Henry into a double date with two Jewish girls from Five Towns, Long Island. Preoccupied by a meeting he has scheduled later that night, Henry ignores his date, Karen, and rushes through dinner. He forgets about a follow-up double date the next night, and Karen arrives at the cabstand to chastise him. Amused, Henry agrees to take her out on a proper date. He impresses Karen by taking her to the Copacabana nightclub, where they receive special treatment from the staff and Mafia patrons. Karen asks what Henry does for a living, and he tells her he works for a construction union. Over time, Karen grows accustomed to Henry’s lavish lifestyle and ignores the obvious signs that he is a criminal. Henry and Tommy execute the Idlewild Airport heist, stealing $420,000 in cash from an Air France plane. They pay Paulie $60,000 as a “tribute.” Sometime later, Karen and Henry are wed in a Jewish ceremony. At the reception, Mafia members give Karen envelopes stuffed with cash. She begins spending time with Mafia wives and is traumatized by their scandalous stories. She worries that Henry could go to prison, but Henry claims that people only go to jail if they are not organized. Karen eventually comes to see Henry’s crimes as entrepreneurial enterprises, and embraces the sense of community the Mafia provides, especially after the birth of their daughters, Judy and Ruth. In 1970, at a Mafia bar run by Henry, Billy Batts, a “made” gangster from another crime family, celebrates his return from prison. Batts piques Tommy’s temper by mentioning old times when young Tommy used to shine his shoes. Later that night, Henry locks the door to the bar as Tommy and Jimmy attack Batts. They beat him until he is unconscious, then roll him up in a tablecloth and load him into the trunk of Henry’s car. Jimmy suggests dumping the body upstate, and they go to get a shovel at Tommy’s mother’s house, where Mrs. DeVito insists on feeding them a meal. Back on the road, they hear a banging and pull over to discover Batts is still alive. Tommy stabs him repeatedly, and Jimmy shoots him multiple times. As they bury Batts’s dead body, Henry worries about the repercussions of killing a made gangster. Paulie gets word of Batts’s disappearance, but Henry does not reveal that Tommy killed him. Tommy continues to wreak havoc when he shoots Spider, a young recruit, for mouthing off at him during a poker game. Tommy defends his actions, asserting that Spider would have become a “rat” like the rest of his family. As Henry spends increasing amounts of time with his mistress, Janice Rossi, Karen becomes suspicious, and tracks down Janice at her apartment. Later, she wakes up Henry by pointing a gun at his face. Henry talks her down, promising that he loves her. She lowers the weapon, allowing him to retaliate by wrestling her to the floor and yanking her hair. A distraught Karen goes to Paulie, who tracks down Henry at Janice’s apartment. Paulie declares that divorce is not an option and orders Henry to return to his family. Henry agrees to go back after accompanying Jimmy to Tampa, Florida, for a weekend job. In Tampa, Jimmy and Henry extort money from a local gangster. The gangster’s sister, a typist for the Federal Bureau of Investigation (FBI), reports the incident. Henry and Jimmy are found guilty and sentenced to ten years at a federal penitentiary. Jimmy is sent to a facility in Atlanta, Georgia, while Henry joins Paulie, who is serving time for contempt, at a prison in Pennsylvania. Using their mafia connections, the men enjoy a relatively comfortable lifestyle in prison, and Karen helps Henry by smuggling in drugs for him to sell. One day, she notices Janice Rossi’s name in the guest register and accosts Henry in the visitation area. As their daughter, Ruth, wails, Karen berates him for continuing the affair and threatens to expose his drug operation. She complains that she has run out of money, and Henry reminds her that, as long as he is in prison, they cannot expect Mafia support. He agrees never to speak to Janice again and promises to support the family, as long as she keeps bringing him drugs. Four years later, he is released. Karen and the girls now live in a small apartment, but Henry vows to move them to a better place. Although Paulie forbids him any further involvement in drugs, Henry secretly maintains his connections to a supplier in Pittsburgh, and recruits Jimmy and Tommy to help. Henry and Karen develop cocaine habits, and Henry begins sleeping with Janice’s friend, Sandy, whom he employs in the drug operation. In their chintzy new home, Henry and Karen host Morrie Kessler, a wig salesman with Mafia ties, and his wife, for dinner. Morrie tells Henry about a heist he has masterminded, which stands to make his crew millions of dollars. Henry helps orchestrate the heist, which requires several men to steal $6 million in cash from a Lufthansa plane. The gangsters celebrate after they pull off the robbery, but Jimmy becomes angry when he discovers some of the guys have risked getting caught by making large purchases with money from their shares. Morrie pesters Jimmy for his payout, but Jimmy does not want to share the profits and orders hits on nearly everyone involved, including Morrie. Soon, Tommy is told that Paulie is going to “make” him, an honor neither Henry nor Jimmy can achieve because only one-hundred percent Italians can be fully initiated into the Mafia. However, when Tommy shows up for the ceremony, he is killed in retaliation for Batts’s murder. Jimmy cries when he hears the news. By 1980, Henry and Karen’s cocaine addictions have rendered them paranoid, and Henry believes a helicopter is following him around. On a particularly busy day, he delivers guns to Jimmy in the morning, but Jimmy rejects the weapons and sends him away. He then picks up his wheelchair-bound brother, Michael, at a chronic care hospital, where the doctor observes that Henry looks unwell and offers him Valium. Henry brings Michael back home, pointing out the helicopter on the way, and makes preparations for the elaborate Italian dinner he plans to cook that night. He leaves again, taking Karen with him to pick up a batch of cocaine destined for Atlanta. To his delight, the drug supplier buys Jimmy’s unwanted handguns. Henry continues to notice the helicopter, but the only person who believes him is Karen. He calls Lois, his drug mule, and urges her not to make calls from his house, but she disregards him. He takes the cocaine to Sandy’s apartment, where she mixes it with quinine and complains that Henry does not spend enough time with her. At home, Henry finishes cooking dinner and sits down to enjoy it with Lois and his family. Lois realizes she left her lucky hat at home and insists on retrieving it before she flies to Atlanta. Henry reluctantly agrees, but when they get in the car, police surround them. Henry is arrested and informed that the Drug Enforcement Agency (DEA) has, in fact, been following him for a month. When he is released on bail, Henry fears that Paulie or Jimmy might kill him to prevent him from snitching, and decides to turn informant. In court, Henry identifies Jimmy and Paulie, who stare daggers at him. Soon after, Henry and his family enter the Witness Protection Program and move to a homogenous suburb, where Henry laments that he must live the rest of his life “like a schnook.”

3. THE GODFATHER PART II (1974)

THE GODFATHER PART II (1974)

Cast: Al Pacino, Robert Duvall, Diane Keaton

Directors: Francis Ford Coppola

Producer: Francis Ford Coppola

Writer: Francis Ford Coppola

Editor: Richard Marks

Cinematographer: Gordon Willis

Genre: Drama

Production Company: The Coppola Company

Composer: Nino Rota

In 1901, in the village of Corleone, Sicily, nine-year-old Vito Andolini is comforted by his mother as they walk in his father’s funeral procession. When shots ring out, Vito’s older brother Paolo is killed, prompting Signora Andolini to take Vito to see local Black Hand leader, Don Francesco, called “Ciccio,” whom her husband had offended. She begs him to spare Vito’s life, but the don coldly refuses, prompting Vito’s mother to take a knife to Ciccio’s throat and scream for her son to run. She is killed by the don’s henchmen, but Vito escapes. Despite threats from Ciccio’s men, some villagers help Vito, enabling him to sail to America. When he is diagnosed with smallpox and placed in quarantine on Ellis Island, Vito, who has been given the surname Corleone by an immigration official, gazes at the Statue of Liberty from his small room.
       In 1958, Vito’s grandson, Anthony Corleone receives his First Holy Communion in Lake Tahoe, Nevada. After the ceremony, his parents, Kay and Michael, host a lavish party at their lakeside estate. Michael, who has succeeded Vito as the don of the Corleone family, receives guests who seek his favor, including Senator Pat Geary, a pompous hypocrite, who incurs Michael’s enmity when he demands money in exchange for the license Michael seeks for a gambling casino. Others at the party include Michael’s weak, older brother, Fredo, who cannot control his drunken wife, and their widowed younger sister, Connie, who prefers the high life to caring for her children. Al Neri, who represents elderly Jewish gangster Hyman Roth, discusses a Cuban casino deal between Roth and the Corleones, while old family friend and lieutenant Frankie Pentangeli begs Michael not to do business with Roth or his cohorts, the ruthless New York Rosato brothers. Late that night, as Michael prepares for bed and admires a picture that Anthony has drawn for him, the room is riddled by machine gun fire. Because Michael drags himself to Kay’s side and covers her body with his, neither is hurt, but Kay is quietly resentful and views Michael’s promises to turn the family business legitimate as lies. Michael warns his security men to capture the assassins alive, but by the time the men are found near the lake, they have been killed. Privately, Michael confides in his adopted brother, Tom Hagen, that he is the only person he trusts and relates that he will be in complete charge while Michael goes away to try to solve what has happened.
       In 1917, In New York’s Little Italy, Vito, now a grown man with a wife and baby son, goes to an Italian-language vaudeville show with his friend, Genco Abbandando, who is in love with one of the actresses. Backstage, Vito sees local Black Hand leader Fanucci intimidate the young actress’ father and is distressed to learn that Fanucci offers “protection” to all of the local Italian merchants, even Genco’s father, for whom Vito works. Soon after, Clemenza, a neighbor across the alley, throws a package to Vito and asks him to hide it. A short time later, Fanucci comes into the Abbandando grocery and demands that Genco’s father hire his nephew. When the distraught Signor Abbandando tells Vito that he must let him go, Vito comforts him and says that he will never forget all of his kindnesses. The next day, Clemenza stops Vito on the street and asks about the package, which contained guns. Impressed when Vito says that he does not concern himself with things that are not his business, Clemenza offers to give Vito’s wife a rug that belongs to a friend. Cemenza then takes Vito with him to a luxurious house, where they break in and steal an expensive carpet.
       After leaving Lake Tahoe, Michael travels to Miami, where he goes to the modest suburban home occupied by Roth and his wife, and tells him that Pentangeli was behind the assassination attempt. Agreeing to do business together in Cuba, Roth tells Michael to bring $2,000,000 cash to him in Havana. Michael asks Roth if he minds that Pentangeli must be killed, but Roth dismisses Pentangeli as “small potatoes.” Next, Michael travels to Long Island, to his father’s former house in Long Beach, now occupied by Pentangeli and his family. He then tells Pentangeli that he knows it was Roth who tried to have him killed and asks him to pretend to make peace with the Rosato brothers so that Roth will be lulled into a sense of security. Sometime later, when Pentangeli and his cohort, Willy Cicci, go to a New York bar to meet with the brothers, Tony Rosato grabs him from behind and, saying “Michael Corleone says hello,” starts to strangle him. Just then, a policeman enters the bar and the Rosatos flee, leaving Pentangeli for dead and wounding Cicci outside. Meanwhile, as Michael travels to Cuba, Kay begins to feel like a prisoner at the estate because the guards, under Tom and Michael’s orders, prevent her from leaving. In Havana, Michael and Roth are among several prominent American corporate executives who are being wooed by the country’s president, who assures them that the country’s rebels will be driven out by the new year. Later, on the way to Roth’s 67th birthday party, Michael sees a mass arrest and is struck by the dedication the rebels show when one man blows up himself and a soldier with a grenade. At the party, Roth, who has a heart condition, tells those gathered that he will leave most of his interests to Michael, then privately asks Michael why the $2,000,000 has not arrived. Back at his hotel room, Michael greets Fredo, who has brought a briefcase filled with the money. After Michael tells Fredo that Roth and his underling, Johnny Ola, are in Havana, Fredo denies having met them. Michael then suggests that they spend the day together. Listening as Fredo almost tearfully asks why they never spent time alone together before, Michael, who thinks that Pentangeli has been killed on Roth’s orders, says that Roth will never see the New Year. That night, which is New Year’s Eve, Fredo acts as host to a number of American VIPs, including Sen. Geary, who now is indebted to the Corleone family because a few weeks before, Tom had covered up the violent death of a prostitute with whom Geary was involved. When Johnny arrives, he and Fredo pretend not to know each other, but when the party goes to a sex show and Fredo casually tells Geary and the others that Johnny had told him about the club, Michael knows that Fredo had betrayed him. Meanwhile, Johnny is strangled in his hotel room. The killer then goes to kill Roth, but because Roth has had a mild stroke, he is being taken to the hospital. There, while one of the nurses leaves to celebrate the New Year with her friends, the killer sneaks into Roth’s room and starts to strangle him, but is interrupted by the nurse and a guard, who kills him before he can finish. At midnight, in the presidential palace, Michael embraces Fredo and tells him he knows that it was he who betrayed him and that he broke his heart. Moments later, the president announces that, because the rebels have advanced, he is resigning and will be leaving the country immediately. As Fredo wanders through the chaos in the streets, Michael calls for him to come with him to a waiting plane, but the frightened Fredo runs away. Days later, Michael meets Tom at a Las Vegas hotel and learns that Kay has had a miscarriage. He tells Tom to find Fredo and tell him that he knows he was misled by Roth but he should come home and not be afraid.
       In 1918, as Vito drives through Little Italy, Fanucci jumps on his car and tells him that he wants him and his friends to “wet my beak” and give him $200 as part of their earnings from stealing expensive dresses. That night, Vito convinces Clemenza and their friend Tessio to give him $50 and promises to make Fanucci accept that. When Vito visits Fanucci at a local café, he offers the $100, saying he needs more time for the rest. Impressed with Vito’s courage, Fanucci agrees, and leaves. Because it is the Festa of San Rocco, Fanucci struts through the crowds and offers money to the church. Unknown to him, Vito has followed him on the rooftops and enters Fanucci’s house. When Fanucci arrives, Vito shoots him at close range, then takes the money from his wallet, disposes of the pieces of the gun in different drain pipes, then joins his wife and three young sons to watch fireworks.
       When Michael returns to his Lake Tahoe estate, he goes to his mother’s cottage to talk with her before his family. Speaking in Italian, he asks if his father ever lost his family. When she says that you never lose your family, he whispers “ tempi cambi ,” times change. At the same time, Willy Cicci, who was only wounded by the Rosato brothers, is testifying before a U.S. Senate committee investigating organized crime, saying that he was a “button man” for Michael when he wanted something done.
       In Little Italy, in 1923, Vito is now known as “Don Vito,” and with his old friend Genco, he has started the Genco Olive Oil Company, which imports oil from Sicily. Vito is so respected and feared within the Italian-American community that when his wife’s widowed friend, Signora Colombo, faces eviction by her landlord, Signor Roberto, the mere knowledge that Vito is her patron, makes the frightened Roberto allow her to keep the dog her son loves and stay in her apartment with a lowered rent.
       When Michael is summoned to testify at the Senate hearings, rather than exercise his Fifth Amendment rights against self-incrimination, Michael calmly answers the senator’s questions, saying that he is not a Mafia boss but a legitimate businessman. In a statement, Michael challenges them to produce any evidence of his crimes. A short time later, Michael and Tom learn that Pentangeli survived the attack against him and, thinking that Michael had ordered his death, has been cooperating with the FBI. Michael asks Fredo for information, but Fredo, who knows nothing, lashes out at Michael for relegating his older brother to menial assignments. After Michael says that that is what their father wanted, he tells Fredo that he now means nothing to him and never wants to see him again. After leaving Fredo, Michael tells one of his underlings that he doesn’t want anything to happen to Fredo while his mother is alive. Meanwhile, Pentangeli, who is living in comfort within FBI custody, fears testifying, but his FBI guards assure him that they can protect him. When the hearings resume, Pentangeli, who is set to testify, is stunned when he sees his older brother, who lives in Sicily, enter the chambers with Michael. When questioning begins, instead of corroborating what he had said in sworn statements to the FBI, Pentangeli denies Michael’s criminal activity and says that he merely told the FBI what they wanted to hear. Although the senators suspect intimidation, there is nothing they can do. After the hearings, at their Washington hotel, Kay tells Michael that she is leaving him and taking the children with her. While they are arguing, Michael tells her that he knows that she blames him for the miscarriage but that he will change. She then confesses that it was not a miscarriage but an abortion because the “Sicilian thing” must end and she did not want to bring another of his sons into the world. After slapping her with such force that she falls, Michael screams that she will never take his children from him.
       In 1927, Vito, his wife and their three young children arrive in Corleone. They are welcomed by Vito’s old friend and now business partner in Genco Olive Oil, Don Tommasino. After celebrating with relatives, who admire the prosperous family, Vito accompanies Tommasino to now elderly Don Ciccio’s estate. After introducing himself and kissing Ciccio’s hand, Vito tells him that his father was Antonio Andolini, then rips the don’s belly apart with his knife. As Ciccio screams out and dies, Tommassino is wounded as he and Vito make their escape. Leaving Corleone a short time later, Vito shows baby Michael how to wave goodbye.
       At Mama Corleone’s funeral in Lake Tahoe, a distraught Fredo wants to speak with Michael, but Tom tells him Michael will not enter until Fredo leaves. Connie then goes to speak privately with Michael and tells him that she had hated him for a long time, but now realizes that he was just being strong for the family. Saying that she now wants to take care of him, she asks him if he can forgive Fredo. Michael then goes to Fredo and embraces his sobbing brother, but with his eyes, lets his underling Rocco Lampone know that his feelings have not changed. Sometime later, as Michael and Tom discuss the fact that Roth, who survived a stroke, has been deported from Israel and is flying back to Miami, Michael lashes out at him for not being with him on the things he needs to do. Tom assures him of his loyalty and asks what he can do. Tom soon visits Pentangeli in custody. Assured by Tom that his brother is safely back in Sicily and his own family will be well cared for, Pentangeli, who loves history, lets Tom know that he will die as disgraced Roman senators did, opening their veins in a warm bath. Back in Lake Tahoe, Fredo, who has enjoyed spending time fishing with Anthony is about to go out onto the lake when Connie says that Michael wants Anthony right away. Later, when Fredo and Rocco are out on the lake, Fredo says a “Hail Mary” just before Rocco shoots him. At the same time, Roth arrives at the Miami airport, where he is shot and killed, and the FBI agents discover that Pentangeli has killed himself in the bathtub. As Michael sits alone in his den, he thinks about Pearl Harbor Day, 1941, when he, his brothers and Connie waited for their father to come home for a birthday celebration: Although he is going to college, Michael announces that he has just enlisted in the Marines, angering Sonny and Tom. When their father comes home, everyone leaves the dining room to greet him at the door, except Michael, who remains at the table, alone.

4. WHITE HEAT (1949)

WHITE HEAT (1949)

Cast: James Cagney, Virginia Mayo, Edmond O’Brien

Directors: Raoul Walsh

Producer: Louis F. Edelman

Writer: Ivan Goff

Editor: Owen Marks

Cinematographer: Sid Hickox

Genre: Drama

Production Company: Warner Bros. Pictures, Inc.

Composer: Max Steiner

Ruthless killer Cody Jarrett and his gang rob a train in California. During the robbery, Cody kills the engineers, and as one of the bodies falls, it activates a steam valve, badly scalding gangster Zuckie Hommell. Together with Cody’s mother and his sexy, double-dealing wife Verna, the gang hides out in the mountains. Ma lovingly fosters Cody’s criminal career and is the only one who can ease the blinding headaches that periodically immobilize him. She is his ally against Big Ed Somers, who is waiting for a chance to take over the gang and get Verna for himself. Cody decides to take advantage of an approaching storm to leave the hideout. After promising to send a doctor back for Zuckie, Cody surreptitiously orders gang member Cotton Valleti to kill him. Cotton only pretends to do the deed, however, and leaves a pack of cigarettes behind with his friend. The later discovery of Zuckie’s scalded and frozen body, together with Cotton’s prints on the cigarette pack, provide the Treasury Department with enough clues to link the train robbery to Cody’s gang. Treasury agents, led by Philip Evans, come close to catching Cody, but thanks to Ma’s warning, the gang escapes. Cody now creates an alibi for the murderous train robbery, a federal offense, by confessing to a robbery in Illinois that took place at the same time. Although Evans is aware that Cody is lying, he cannot prove it, so he sends for undercover agent Hank Fallon. Under the name Vic Pardo, Hank is sent to jail, where he plans to get close to Cody. Meanwhile, Big Ed takes advantage of Cody’s absence to take over the gang. At the prison, Hank saves Cody’s life when Roy Parker, one of Big Ed’s associates, tries to kill him. After she hears about the attempt, Ma reassures Cody that she will take care of Big Ed. Cody begs her not to try, and his fears for her safety bring on a headache. Hank helps Cody, the way Ma did, and that night Cody reveals that he plans to escape. Hank conveys the escape plans to an agent who is posing as his wife, but on the day of the break, a newly arrived inmate reveals that Ma is dead. Cody goes berserk in the prison mess hall and is taken to the dispensary. There, he uses a smuggled gun to take the doctor hostage and, together with Hank, Parker and two other convicts, makes his escape. Outside, Cody kills Parker and then heads for Bakersfield to avenge Ma’s death. When Verna learns of Cody’s escape, she tries to sneak away, but Cody is waiting for her. Although Verna killed Ma, she tells Cody that Big Ed shot her in the back and offers to show him how to sneak past Big Ed’s defenses. Cody kills Big Ed and then he, Verna and Hank join the rest of the gang. Copying the gimmick of the Trojan Horse, Cody plans to rob a payroll by sneaking the gang into a company inside an oil tanker. Meanwhile, Hank tries to tip off the police. While pretending to fix Verna’s radio, he rigs up a signal that will locate the truck for the agents and then leaves a message on a gas station washroom mirror. The police track the truck to an oil plant in San Pedro and surround the area. Cotton spots them at the same time that one of the gang recognizes Hank as an agent. Cody then takes Hank hostage, but he escapes when the police throw tear gas into the plant. During the ensuing gunfight, all the gangsters are killed except Cody, who climbs to the top of an oil tank. Now completely insane, Cody yells, “Made it Ma, top of the world!” before exploding the tank with his bullets.

5. BONNIE AND CLYDE (1967)

BONNIE AND CLYDE (1967)

Cast: Warren Beatty, Faye Dunaway, Michael J. Pollard

Directors: Arthur Penn

Producer: Warren Beatty

Writer: David Newman

Editor: Dede Allen

Cinematographer: Burnett Guffey

Genre: Biography, Drama

Production Company: Tatira-Hiller Productions

Composer: Charles Strouse

During the Depression in the early 1930s, Bonnie Parker meets Clyde Barrow when he tries to steal her mother’s car. Intrigued by his brazen manner and bored with her job as a waitress, she decides to become his partner in crime. Together they stage a series of amateur holdups that provide them with excitement but little monetary reward. Eventually they take on C. W. Moss, a dimwitted garage mechanic, who serves as their getaway driver. Finally they are joined by Clyde’s brother Buck, recently released from prison, and his wife, Blanche, a whining preacher’s daughter. As they add bank robbery and murder to their list of crimes, the quintet quickly becomes the object of statewide manhunts. While holed up in a rented apartment in Joplin, Missouri, they make the first of their incredible escapes from the police. Fascinated by the legendary reputation growing around them, they brag about their exploits, take pictures of each other, and, on one occasion, force a Texas Ranger to pose with them. Through it all a love relationship develops between Bonnie and Clyde that endures despite Clyde’s impotence. After a visit with Bonnie’s mother, the gang is surrounded in Dexter, Iowa. Buck dies with half of his face shot away, Blanche is blinded and captured, and Bonnie is wounded in the shoulder. The three survivors find a temporary hideout with C. W.’s father in a Louisiana town, and there Bonnie and Clyde finally consummate their love. Bonnie recovers from her wounds, and they plan to move on again; but C. W.’s father, hoping to lighten his son’s punishment, has cooperated with the police in setting a trap. In May of 1934, Bonnie and Clyde ride into a police ambush and die as their bodies are riddled with a thousand rounds of ammunition.

6. SCARFACE (1932)

SCARFACE (1932)

Cast: Paul Muni, Ann Dvorak, Karen Morley

Directors: Howard Hawks

Writer: Ben Hecht

Editor: Edward Curtiss

Cinematographer: Lee Garmes

Genre: Drama

Production Company: The Caddo Co., Inc.

Composer: Adolph Tandler

Italian mob leader Big Louie Costillo is killed by Tony Camonte, setting off gang wars over the control of Chicago’s bootlegging business. Under orders from their boss Johnny Lovo, Tony and Guino Rinaldo terrorize South side bars to maintain it as Lovo’s territory. Afterward, they go on a several month long shooting spree, killing innocent bystanders as well as intended victims. When Tony kills O’Hara, the North side boss, Lovo becomes scared. Poppy, Lovo’s mistress, visits Tony, and he shows her the neon Cook’s Tours sign outside his window that has become his slogan: “The World Is Yours.” Tony takes over the North side, and goes on another shooting spree. On St. Valentine’s Day, seven gangsters are lined up in a garage and shot execution style. After Tony kills the last of the big gang leaders, he goes to the Paradise Club, where he sees his sister Cesca dancing with a man. In a jealous rage, Tony takes her home and beats her. Then, when he leaves, he is chased by unknown gangsters. Both cars go over the side of the road, but Tony survives. When he finds out that Lovo set him up, Tony and Guino kill him, then Tony and Poppy hide out in Florida for a month. While they are gone, Guino and Cesca fall in love and marry. Tony returns to find Guino in Cesca’s apartment and kills him before she can explain that they were married. A short time later, the police surround Tony’s apartment, and he and Cesca fight them off until she dies of a gunshot wound. Finally, Tony surrenders after his room is inundated with tear gas and he cannot stand to be alone. At the last minute, he makes a dash for freedom, but is gunned down by the police and dies under the Cook’s Tours sign.

7. PULP FICTION (1994)

PULP FICTION (1994)

Cast: John Travolta, Samuel L. Jackson, Uma Thurman

Directors: Quentin Tarantino

Producer: Lawrence Bender

Writer: Quentin Tarantino

Editor: Sally Menke

Cinematographer: Andrzej Sekula

Genre: Comedy-drama

Production Company: A Band Apart , Jersey Films

Referring to each other as “Pumpkin” and “Honey Bunny,” two lovers finish their meal at a diner, and decide to hold up the place. Elsewhere, at another time, Vincent Vega and Jules Winnfield arrive at an apartment to collect a briefcase from a man named Brett, on behalf of their gangster boss, Marsellus Wallace. Inside the apartment, the hitmen shoot Brett and one of his cohorts for double-dealing behind Marsellus’s back. They deliver the briefcase to Marsellus, as he is cutting a deal with a boxer named Butch, who agrees to throw an upcoming boxing match. Afterward, Marsellus enlists Vincent to take his wife, Mia, out on the town while he is away. Prior to picking her up, Vincent buys heroin from his drug dealer, Lance, and injects himself with a dose. Mia, a once-aspiring actress, goes with him to a 1950s-themed restaurant, where the two bond over milkshakes and participate in a dance contest, which they win. Returning home, Mia discovers the heroin in Vincent’s jacket while he is in the bathroom. Assuming it is cocaine, she snorts the drug and accidentally overdoses. Vincent rushes her to Lance’s house, where they revive her with a shot of adrenaline to the heart. Butch, the boxer, betrays Marsellus by winning his boxing match and accidentally killing his opponent in the process. At a motel, he prepares to flee town with his girl friend, Fabienne, who reveals that she forgot to pack Butch’s lucky gold watch, passed down to him by his father. Aware that Marsellus might have already sent a hitman after him, Butch risks a trip back home to retrieve the watch. Inside his apartment, he discovers a gun on the kitchen counter and surmises that someone has broken in. As Vincent Vega emerges from the bathroom, Butch shoots him dead. On the drive back to the motel, Butch is spotted by Marsellus, who gives chase. The pursuit ends at a pawnshop, where Butch and Marsellus are unexpectedly kidnapped by the sadistic shop owner, Maynard. They are taken to the basement, where Marsellus is raped by Maynard and his cohort, Zed, while Butch is held captive by a man in a bondage suit. Butch breaks free, rescues Marsellus, and the two of them kill Maynard and Zed. Thankful for his life, Marsellus agrees to let Butch go but swears him to secrecy over the assault. Earlier, back at Brett’s apartment, Vincent and Jules are poised to leave with the briefcase when another man rushes out of the bathroom, shooting at them but missing with every shot. They retaliate by shooting him dead, and leave with the apartment with Marvin, the only surviving cohort. As they drive, Vincent talks with his gun casually trained on Marvin. Jules hits a bump and Vincent accidentally shoots him dead. With Marvin’s blood splattered throughout the car, they speed to the nearest safe haven, the home of a friend named Jimmie. Vincent and Jules enlist the help of Marsellus’s associate, “The Wolf,” to clean up the car and dispose of the body. Afterward, Jules and Vincent go to a diner. Jules has decided that his and Vincent’s lives were spared earlier by a miracle. He proclaims that his life of crime is now over. Just then, at a nearby table, Pumpkin and Honey Bunny announce they are robbing the place. Jules intervenes and takes Pumpkin at gunpoint. Honey Bunny threatens Jules with her gun. Returning from a trip to the bathroom, Vincent pulls his gun on Honey Bunny. During the ensuing standoff, Jules quotes a Bible passage, Ezekiel 25:17, which he has traditionally recited before murdering his targets. He declares his intent to take the path of “the righteous man” from now on. Still pointing his gun at Pumpkin, he hands over the money in his wallet, and instructs him and Honey Bunny to leave. Having defused the crisis, Jules and Vincent take the briefcase they are about to deliver to Marsellus and leave the diner together.

8. THE PUBLIC ENEMY (1931)

THE PUBLIC ENEMY (1931)

Cast: James Cagney, Jean Harlow, Edward Woods

Directors: William A. Wellman

Writer: Kubec Glasmon

Editor: Edward M. McDermott

Cinematographer: Dev Jennings

Genre: Drama

Production Company: Warner Bros. Pictures, Inc.

Tom Powers and Matt Doyle, two tough young kids growing up poor in Chicago, work for Putty Nose, a fence. He sets up a robbery deal for them, promising to get them out of trouble if anything goes wrong, but when they bungle the job he abandons them. During Prohibition, they find a new ally, Paddy Ryan, who sets them up in the illegal brewery business. When Mike, Tom’s older brother returns from World War I, he berates Tom for his dealings with gangsters and Tom angrily leaves home. The gang’s big boss, Nails Nathan, uses Tom and Matt to pressure the local speakeasies, which are caught between rival gangs, into using only the beer that they sell. Tom grows into a ruthless gangster. One day he takes out his frustrations on his girl Kitty, shoving a grapefruit in her face and dumping her in favor of glamorous Texan Gwen Allen. Later, celebrating in an expensive night club, Tom spots their old pal Putty Nose. Tom and Matt follow him to his apartment, where Tom kills him. When Nails dies after a fall from a horse, his death precipitates a gang war. Paddy sends the gang into hiding, but Tom refuses to stay. He and Matt are ambushed by the rival gang as they leave, and Matt is killed in the shootout. Tom vows revenge and single-handedly takes on his rivals. He kills several, but he is wounded himself and collapses outside in the pouring rain. He survives, but the gang kidnaps him from the hospital and delivers his bandage-wrapped dead body to the door of his mother’s house.

9. LITTLE CAESAR (1931)

LITTLE CAESAR (1931)

Cast: Edward G. Robinson, Douglas Fairbanks Jr., Glenda Farrell

Directors: Mervyn LeRoy

Writer: Francis Edwards Faragoh

Editor: Ray Curtiss

Cinematographer: Tony Gaudio

Genre: Drama

Production Company: First National Pictures, Inc.

After robbing a gas station, Enrico Cesare Bandello, known as Rico, leaves his small town for the city with his friend Joe Massaro. Joe wants to find work as a dancer, but Rico admires the front page notoriety that gangster Diamond Pete Montana receives. He joins Sam Vittori’s gang, one of the two biggest gangs in town, working directly under Montana, chief lieutenant to Big Boy, the head of the city’s underworld. The other gang is headed by Little Arnie Lorch, who owns a gambling salon. Joe has a job as a dancing partner to Olga Strassoff at Lorch’s establishment. Rico plans a New Year’s Eve raid on Lorch’s club and convinces Joe to act as the front man. During the raid, Rico kills McClure, the crime commissioner, who is a guest that night. After that, Rico and Sam compete for leadership of the gang and Rico wins. Lorch tries to kill Rico, and after he fails, Rico hunts him down and drives him out of the city. Soon afterward, Big Boy offers Rico Montana’s territory, and Rico begins to dream of heading the underworld in place of Big Boy. Joe, meanwhile, plans to leave the gang at Olga’s urging. Rico cannot bear to let Joe go, however, and in turn, demands that he leave Olga, threatening to kill her when Joe refuses. To save them both, Joe decides to turn state’s evidence. Rico intends to kill Joe to stop him from talking, but he cannot pull the trigger. After his failed assassination attempt, Rico flees, hiding out from the police. Hoping to goad Rico into revealing himself, Sergeant Flaherty tells the newspapers that Rico was a coward. Rico reacts by phoning the police, and the call is traced to his hiding place, where the police hunt him down and shoot him. Rico dies beneath a poster advertising the dancing team of Joe and Olga.

10. SCARFACE (1983)

SCARFACE (1983)

Cast: Al Pacino, Steven Bauer, Michelle Pfeiffer

Directors: Brian De Palma

Producer: Louis A. Stroller

Writer: Oliver Stone

Editor: Jerry Greenberg

Cinematographer: John Alonzo

Genre: Drama

Production Company: Universal Pictures

Composer: Giorgio Moroder

In 1980, Fidel Castro allows over 125,000 Cuban refugees to leave the country on boats headed to the United States. Arriving in Florida, Tony Montana, one of the refugees, is questioned by immigration officials. Believing Tony has a criminal history, they detain him and send him to Freedom Town, a refugee camp under a highway. After a month at the camp, Tony’s friend Manny Ray says that he’s found them a job that will earn them green cards and get them out of Freedom Town. A wealthy cocaine dealer named Frank Lopez wants them to assassinate Emilio Rebenga, a former Cuban politician who has just arrived at the camp. Tony agrees, telling Manny that he kills Communists “for fun.” One day, a riot breaks out in Freedom Town, and Manny, aided by a few others, corners Rebenga inside a tent. As the politician tries to escape, Tony stabs him. Later, Tony, Manny, and their accomplices, are awarded green cards and released from custody. In Miami, Tony and Manny work at a food stand where Omar Suarez, an underboss of Frank Lopez, visits them one night. Suarez offers Tony and Manny another job, unloading marijuana off of a boat from Mexico for 500 dollars each. Insulted by the offer, Tony demands more money, and Suarez offers them a better job – retrieving a shipment of Colombian cocaine. Soon after, Tony and Manny are joined by two of their accomplices from Freedom Town, Angel Fernandez and Chi Chi, as they head to a seedy, beachside hotel to pick up the cocaine. While Manny and Chi Chi wait in the car, Tony and Angel arrive at the hotel room of Hector the Toad. Tony becomes irritated when Hector is slow to exchange the cocaine, suspecting that the drug dealer only wants to steal the money Tony was given to purchase the drugs. Two of Hector’s men appear, attacking Angel from behind. Tony is held at gunpoint in the bathroom while Hector dismembers Angel with a chainsaw inside the shower. Manny and Chi Chi arrive just in time to save Tony, shooting down Hector’s henchmen. After Hector escapes through a window, Tony follows him outside and shoots him dead in the crowded street. As police sirens blare nearby, Tony, Chi Chi, and Manny escape with both the money and the cocaine. The next night, Suarez introduces Tony to his boss, Frank Lopez, the owner of the money that Tony recovered from the botched cocaine deal. Frank is impressed by Tony and hires him. Tony meets Frank’s girlfriend, Elvira Hancock, and is attracted to her. Frank takes Tony and Manny out to the decadent Babylon nightclub, and offers two lessons: “Lesson number one – don’t underestimate the other guy’s greed; and lesson number two – don’t get high on your own supply.” Tony dances with Elvira, who scorns him for being low-class. Later, he and Manny try to pick up women on the beach to no avail. Tony tells his friend that they need money and power before American women will take an interest in them. Later, Frank sends Tony and Manny to pick up Elvira, who doesn’t like their Cadillac with tiger-print seat covers. Tony insists they go to a car dealership immediately; there, he purchases an expensive sports car. Leaving Manny behind to work out the details with the car dealer, Tony snorts cocaine in the parking lot with Elvira, who warms to him. Later, Tony visits his estranged mother and sister at their house in a remote part of the city. Though he hasn’t contacted them in five years, Tony’s sister Gina is overjoyed to see him. Tony’s mother is more cautious, suspicious of his criminal lifestyle. When Tony offers them $1,000 in cash, his mother refuses the money, knowing it was earned illegally. Despite Gina’s objections, Tony’s mother disowns him. As he leaves, Gina follows Tony outside where Manny is waiting inside the car. Gina apologizes and expresses her own loyalty to her brother. Driving away, Manny tells Tony that Gina is beautiful, and Tony shouts at Manny to stay away from her. Tony later accompanies Suarez to Bolivia to meet with a drug lord named Alejandro Sosa on Frank’s behalf. During the visit, Sosa discovers that Suarez is a police informant. Sosa’s henchmen then murder Suarez by hanging him from a helicopter mid-air while Frank and Tony watch from the ground. Tony undermines Frank’s authority by negotiating a distribution deal with Sosa himself, and when he gets back, Frank is furious because he feels he cannot sell the large amount of cocaine to which Tony agreed. Defending his choice, Tony tells Frank that he needs to expand his operation to cities outside Miami. One day, Tony visits Frank’s house to see Elvira, and though she fears that Frank will catch them, Tony remains unconcerned. He tells Elvira that he likes her and wants to marry her, and suggests that Frank is finished. Later, Tony sees Gina dancing with a man at the Babylon and becomes enraged. Before he can approach her, Tony is approached by Mel Bernstein, a corrupt police detective. Bernstein accuses Tony of murdering Rebenga and Hector, and offers him police protection in exchange for money and information on rival drug dealers. Frank and Elvira arrive at the club, and Tony joins Elvira at her table as Bernstein leaves. Walking up to the table, Frank tells Tony to move, but Tony refuses, saying that Frank has no right to give him orders. After the confrontation, Frank and Elvira leave, and Tony returns his attention to Gina. As she and her dancing partner go into the men’s bathroom, Tony follows and finds them inside a stall, snorting cocaine. He grabs Gina’s friend and throws him out, then confronts his sister. Manny enters the bathroom and watches as Tony threatens and hits Gina. After Tony walks out, Manny comforts Gina, then drives her home. In the car, Gina expresses her attraction to Manny, but he firmly rejects her, knowing Tony would disapprove. Back at the club, Tony watches the stage show. When a spotlight hits Tony at his table, two assassins with machine guns suddenly open fire from across the room. Tony ducks under the table after taking a bullet to the shoulder, then shoots both of his attackers before fleeing the club. Believing Frank is behind the botched assassination attempt, Tony goes to his office and confirms that Frank ordered the hit. Sensing that Tony plans to kill him, Frank grovels at Tony’s feet, offering money and Elvira in exchange for his life. Tony orders Manny to shoot Frank, and turns his attention to Bernstein, who was meeting with Frank when he walked in. Tony shoots Bernstein twice. Covered in blood, he finds Elvira in the bedroom and tells her to pack her things and join him. Waiting for Elvira in the living room, Tony spots a blimp outside with a digital sign scrolling the message, “The world is yours.” Now the boss of Frank’s cocaine ring, Tony buys a mansion and marries Elvira. Meanwhile, unbeknownst to Tony, Manny and Gina are falling in love. With Tony in charge, the business flourishes, but he and Elvira are both addicted to cocaine, and their relationship suffers. Tony becomes increasingly paranoid and suspicious of a van parked outside his estate. The bank informs Tony that he must pay higher fees in order to launder his increasing flow of money. Manny suggests a new contact he recently met who offers a lower rate on money-laundering, and when Tony steps in to handle the deal, he is arrested in a sting operation. After posting a $5 million dollar bail, Tony’s lawyer suggests that he can be cleared of the corruption charges but will not avoid a jail sentence for tax evasion. Fearing the loss of his main distributor, Sosa intervenes, promising that his contacts in Washington, D.C. can clear the charges. However, in exchange, Sosa asks Tony for his help in the assassination of a Bolivian journalist who is threatening to expose Sosa’s operation. Tony reluctantly agrees. Back in Miami, Tony eats dinner at a posh restaurant with Elvira and Manny. Both inebriated, Tony and Elvira argue loudly, and Elvira tells him that she is leaving him and walks out. Tony then goes to New York to assist with the hit Sosa ordered. Sosa’s men wire a bomb to the journalist’s car, but when Tony sees that the journalist is accompanied by his wife and child, he orders them to call off the hit. Before one of the assassins can detonate the bomb, Tony shoots him. He then attempts to call Manny and learns that both he and Gina have been missing for two days. In Miami, Tony calls Sosa, who is furious about the botched hit and rescinds his offer to keep Tony out of jail. Later that night Tony visits his mother, who gives him the address of the house where she believes Gina might be. Tony and two of his men drive to the house to confront his sister. There, he knocks on the door, and Manny answers. When Tony sees Gina, wearing only a robe, he shoots and kills Manny. Crying hysterically, Gina confesses that she and Manny just got married, and they were planning to surprise Tony with the news. Tony’s men pull Gina off of Manny’s corpse and take her back to Tony’s mansion. Assassins swarm Tony’s property as he arrives and heads upstairs, isolating himself in the office, surrounded by mounds of cocaine. No longer crying, Gina steps into Tony’s office, barely clothed, and pretends to seduce him, accusing him of wanting to sleep with her. She then shoots her brother in the leg. As Gina continues to fire shots at Tony, an assassin steps in from the balcony and kills her. Tony pushes the assassin off the balcony, and sees throngs of men invading his property. Back inside, Tony holds Gina’s body, pretending she is not dead, as hired killers infiltrate his mansion. When the assassins reach his office, Tony wields a machine gun and kills several men. During a long firefight, Tony is shot several times. After Tony launches an explosive from the balcony, he is gunned down from behind. Tony’s body falls over the railing and splashes into a fountain below. Atop the fountain is a neon sign with the words, “The World Is Yours.”

1. TO KILL A MOCKINGBIRD (1962)

TO KILL A MOCKINGBIRD (1962)

Cast: Gregory Peck, John Megna, Frank Overton

Directors: Robert Mulligan

Producer: Alan J. Pakula

Writer: Horton Foote

Editor: Aaron Stell

Cinematographer: Russell Harlan

Genre: Drama

Production Company: Brentwood Productions, Inc., Pakula-Mulligan Productions, Inc.

Composer: Elmer Bernstein

In a small Alabama town in 1932, widowed lawyer Atticus Finch strives to create an atmosphere free from hatred and prejudice for his two children, six-year-old Scout, a tomboy, and her ten-year-old brother, Jem. The youngsters lead a carefree life, racing about the town, jeering at eccentric Mrs. Dubose and frightening themselves and their new friend, six-year-old Dill Harris, with exaggerated stories about Arthur “Boo” Radley, a supposedly mentally handicapped neighbor whom they have never seen. When Atticus agrees to represent Tom Robinson, a black man accused of raping a young white woman, Mayella Violet Ewell, the children must defend themselves against the racist taunts of their classmates. Though Atticus is able to demonstrate Tom’s innocence by forcing Mayella to admit that her father beat her when he found her making advances toward Tom, the all-white jury returns a verdict of guilty. Atticus tries to have the decision reversed, but before he can do so, Tom attempts to escape and is killed. In revenge against Atticus, Bob Ewell attacks Scout and Jem, but Boo, who has secretly watched over the children and has left gifts for them in a tree trunk, saves them by killing Ewell. Unwilling to expose Boo to any publicity, Sheriff Heck Tate concludes that Ewell fell on his own knife and decides that there will be no trial.

2. 12 ANGRY MEN (1957)

12 ANGRY MEN (1957)

Cast: Henry Fonda, Lee J. Cobb, Ed Begley

Directors: Sidney Lumet

Producer: Reginald Rose

Writer: Reginald Rose

Editor: Carl Lerner

Cinematographer: Boris Kaufman

Genre: Drama

Production Company: Orion-Nova Productions

Composer: Kenyon Hopkins

At the close of a murder trial conducted in a New York City courtroom, the judge gives the jury its final instructions, reminding them that a guilty verdict will mean an automatic death sentence for the defendant, a Puerto Rican youth accused of killing his father. Once in the stiflingly hot jury room, Juror 3, a middle-aged businessman who is estranged from his own son, loudly proclaims that the boy is guilty and that all ghetto youths are criminals, while Juror 7, a fast-talking salesman, wants the jury to reach a decision quickly because he wishes to attend a baseball game that evening. Juror 1, the foreman, who is a genial high school football coach, conducts a preliminary ballot and, without hesitation, eleven jurors vote for conviction. Juror 8, a sensitive and thoughtful architect, casts the only dissenting vote, stating that he has doubts about the case and wishes to give the boy, who has had a difficult life in the ghetto, a fair hearing. Juror 10, approximately sixty years old and the owner of a garage, gruffly declares that the architect is a weak-willed “bleeding heart” before launching into a diatribe against slum dwellers. Wishing to restore calm, Juror 12, a young advertising executive, suggests that each juror present the reasons behind his verdict as a means of convincing Juror 8. The salesman, the garage owner and the businessman all suggest that the boy’s ethnicity and class have been enough to convince them he murdered his father, while Juror 2, a shy and stammering bank clerk, appears to be maintaining his guilty verdict because he feels intimidated by the more outspoken jurors. Juror 4, a middle-aged and articulate stockbroker, and Juror 6, a young blue-collar worker, go over the evidence which determined their verdicts with much detail and thought. The prosecution has presented two seemingly reliable eyewitnesses, and motivation for the murder was suggested by the youth’s frequent fights with his father. In addition, a shopkeeper identified the murder weapon as identical to an unusual and ornately carved knife he had sold the boy shortly before the murder. Finishing his exposition, Juror 4 offhandedly remarks that “everyone knows slums breed criminals,” leading Juror 5, who until this point has remained silent, to declare with great dignity that he was raised in a slum. After Juror 8 points out inconsistencies in the prosecution’s case and raises a number of questions, he throws down a cheap knife he bought near the courthouse which appears almost identical to the murder weapon. As many of the jurors begin to grow frustrated with the discussion, Juror 8 suggests that the foreman take a secret ballot from which he will abstain, promising that if all of them vote guilty this time, he will go along with them on the final ballot. Now, however, one juror out of the eleven votes “not guilty.” Most of the jurors believe that Juror 5 has changed his mind, but the “not guilty” vote turns out to be that of Juror 9, an elderly and frail man to whom the jurors have, until now, paid little attention. After tempers have cooled down, Jurors 8 and 9 point out the inconsistencies in the prosecution’s version of events on the night of the murder, and Juror 9 is especially convincing when he notes problems with the testimony of a prosecution witness who, like himself, is elderly. The two men manage to sway Jurors 5 and 11 to their side, for a total of four “not guilty” verdicts. Juror 10 now explodes with anger over what he views as “nitpicking” and Juror 3 harasses Juror 11, an Eastern European refugee, for changing his mind. After tempers subside, the weary jury continues its deliberations and when another ballot is taken, the tally is six to six, with Jurors 2 and 6 changing their original verdicts. Now at a complete standstill, some of the jurors want to declare a hung jury, but know that the judge will not accept the declaration without further deliberations. When Juror 11, who takes his duty as a citizen very seriously, questions whether all of the jurors have a clear understanding of “reasonable doubt,” the obnoxious Juror 7 makes an angry speech full of anti-immigrant invective. Next, the newly confident Juror 2 asks how a 5’6″ boy could have made a downward stab wound on a man who stood 6’2″, leading Juror 5, who saw many a knife fight in the tough neighborhood in which he was raised, to convincingly demonstrate that the boy would most likely have held the knife underhanded, making a downward wound impossible. The foreman and Juror 12 eventually vote “not guilty,” as does Juror 7, whose lack of concern over the case and desire to do whatever is most expedient greatly angers Juror 11, the immigrant. When Juror 8 asks the three remaining jurors to explain their continued insistence on a guilty verdict, Juror 10 makes an angry speech so full of hate and bigotry that everyone is shocked into silence. Juror 4, earlier so confident that the boy was guilty, admits he has reasonable doubt when the astute Juror 9 suddenly remembers that a female prosecution eyewitness had impressions on the sides of her nose of the sort left by eyeglasses. In support of their “not guilty” verdicts, the jurors realize that the witness deceived the court by taking off her glasses prior to her court appearance and they surmise that she was most likely not wearing them in bed the night she claimed to have witnessed the murder. Since Juror 10, who remains separated from the group because of shame over his outburst, has indicated he will change his vote, Juror 3 now stands alone in his conviction that the boy is guilty and he becomes increasingly belligerent and stubborn. When a picture of his son, who is only a few years older than the accused, unexpectedly falls out of his wallet, he suddenly breaks down into sobs and exclaims that all children are rotten ingrates. Overcome with emotion and guilt at the memory of his son, who rejected his harsh and authoritarian manner, he finally whispers “not guilty.” As the jurors silently file out of the jury room, Juror 8 gently hands the distressed man his jacket. On the courthouse steps, Juror 8 and Juror 9 bid farewell, secure in the knowledge that they helped to ensure that personal prejudices did not determine the fate of the accused.

3. KRAMER VS. KRAMER (1979)

KRAMER VS. KRAMER (1979)

Cast: Dustin Hoffman, Meryl Streep, Jane Alexander

Directors: Robert Benton

Producer: Stanley R. Jaffe

Writer: Robert Benton

Editor: Jerry Greenberg

Cinematographer: Nestor Almendros

Genre: Drama

Production Company: Columbia Pictures

On the day Ted Kramer, an up-and-coming advertising executive in New York City, arrives home with the good news that he has been entrusted with an important account at work, his wife of eight years, Joanna, announces she is leaving him. Ted asks if she is joking, but Joanna becomes unhinged as he tries to discuss the matter. In tears, she walks out of the apartment and says she is not taking Billy, their seven-year-old son, declaring she is an unfit mother and the boy is better off without her. Before the elevator door closes, she tells her husband she no longer loves him. Waiting for Joanna to return that evening, Ted suspects his wife escaped to the apartment of their divorced neighbor, Margaret Phelps, who has been a confidante to Joanna, but Margaret has no knowledge of Joanna’s whereabouts and denies influencing her decision to leave. The next morning when Billy asks about his mother, Ted explains that she went away to be alone for a while. While frantically making French toast for Billy, Ted burns his hand on the skillet and curses his wife. When he drops his son at elementary school, Ted asks Billy what grade he attends and leaves him with a woman at the entrance, before rushing to work. At the agency, Ted confides about the situation to Jim O’Connor, his boss and friend. Jim is understanding, but trusts that Ted’s family problems will not interfere with his new responsibility as the lead person on the Mid-Atlantic Airlines account. At home, Ted struggles to find privacy to work and loses his temper when Billy spills juice on some of his workpapers. While running errands, Ted relies on Billy to tell him what products Joanna bought at the grocery store. After a week, Billy receives a letter from his mother, in which she tells her son she loves him, but needs to discover another role for herself apart from being a parent. As Ted reads the letter aloud, Billy does not want to hear the rest and turns up the volume on the television set. Ted removes photographs of Joanna in the apartment and boxes up her things, but when he finds a framed picture of her that Billy has hidden in a drawer, he places the photograph on his son’s nightstand. In time, Ted and Billy settle into their new routine without Joanna, but Ted’s work suffers. When Ted misses an important deadline, Jim reveals he is very concerned about the campaign, and has noticed that Ted’s performance has declined in the eight months since Joanna left. That evening at home, Billy complains about his dinner and defies his father by eating ice cream instead. Ted takes Billy screaming to his bedroom, and the boy cries for his mother. Distraught, Ted enters Billy’s bedroom later that night and reconciles with his son. Billy worries that his mother’s departure is his fault, but Ted assures him that Joanna left because she was not happy in the marriage. While Ted struggles to meet his work obligations, he finds time to attend Billy’s Halloween pageant and teaches him to ride a bicycle. When Billy falls from a jungle gym on the playground and receives a cut near his eye, Ted runs to the emergency room carrying his son and convinces the doctor to let him stay with Billy as the boy endures ten stitches. Meanwhile, Ted and Margaret have become good friends as they confide in each other about raising children alone. After fifteen months, Ted receives a call from Joanna and meets her at a restaurant. Although nervous, their conversation is friendly, as Ted admits he feels guilty about Billy’s playground accident and Joanna reassures him. Joanna tries to explain why she left and reveals she is happier after working in California and seeing a therapist. When she states that she now wants to raise her son, Ted becomes furious and leaves. He consults with divorce attorney John Shaunessy, who informs him that the court usually awards custody to the mother when the child is so young. Later, at work, Jim O’Connor notifies Ted that he is being dismissed from the agency because the Mid-Atlantic Airlines executives are not pleased with the campaign. Ted appeals to Jim as a friend, reminding him that he will have no chance at custody if unemployed. Unable to postpone the court hearing, Ted tells Shaunessy that he is determined to find a job in twenty-four hours despite the fact most firms are not hiring with Christmas only a few days away. After convincing two agency executives to consider his application immediately, he accepts a lower-salaried position for which he is overqualified. Reluctantly, Ted allows Billy to see his mother before the custody hearing begins. During her testimony in court, Joanna recounts that she lost her self-esteem as a stay-at-home mother, but has worked hard to “become a whole person again” and believes her son needs her more than his father. In cross-examination, Joanna reveals that Ted never abused her or was unfaithful. Ted finds Shaunessy’s questioning too brutal as Joanna cries and is forced to admit that she was part of the marriage’s failure. When Margaret testifies on behalf of Ted, she concedes that she and Joanna once discussed Ted’s focus on his career and his insensitivity toward his son’s needs. Looking directly at Joanna, Margaret implores her former friend to recognize that Ted has become a great father. On the witness stand, Ted admits to making mistakes in the marriage, but believes he has proven that a man can be as good a parent as a woman. Ted declares that taking Billy away from his home could cause “irreparable” harm. Gressen, Joanna’s attorney, points out that Ted was dismissed from his previous position and now earns less than his wife. When Gressen mentions that Ted felt responsible for Billy’s playground accident, Ted is disappointed that Joanna shared the comment with the attorney. Outside the courtroom, Joanna apologizes for Gressen’s aggressive tactics, but Ted refuses to speak to her. Later, Shaunessy reports that the judge ruled in favor of Joanna, and Ted chooses not to appeal to avoid Billy having to testify. Billy becomes upset as Ted explains that they will still see each other, even though Billy will be living with his mother. On the morning Joanna is scheduled to pick up Billy, father and son quietly make French toast together. Joanna rings the intercom and asks to see Ted in the lobby alone. Tearful, she reveals that she is relinquishing custody after realizing that she does not want to take Billy away from his home. Ted reassures her as she takes the elevator up to inform her son.

4. THE VERDICT (1982)

THE VERDICT (1982)

Cast: Paul Newman, Charlotte Rampling, Jack Warden

Directors: Sidney Lumet

Producer: Richard D. Zanuck

Writer: David Mamet

Editor: Peter Frank

Cinematographer: Andrzej Bartkowiak

Genre: Drama

Production Company: Zanuck/Brown Productions, Twentieth Century-Fox Film Corporation

Composer: Johnny Mandel

While attending the wake of a former acquaintance, struggling Boston, Massachusetts, attorney Francis “Frank” P. Galvin offers his business card to members of the family, but the gesture offends the grieving son, and Frank is thrown out of the funeral home. Later, he becomes intoxicated and destroys his office until his former law associate, Mickey Morrisey, exasperatedly informs him that he is due to appear in court in two weeks for a medical malpractice lawsuit. Leaving a note for his secretary, he returns to the bar before trudging to the hospital to observe his client, a brain-damaged patient now surviving on life support. Back at his office, he meets the patient’s sister, Sally Doneghy, and reviews the case: during the birth of her third child in an Irish Catholic hospital four years earlier, Deborah Ann Kaye was given the wrong anaesthetic, vomited into her oxygen mask, and stopped breathing. Abandoned by her husband, the comatose Deborah was left in Sally’s care, but the overburdened sister finally decided it was time to “let go” by filing a lawsuit and accepting her husband Kevin’s job transfer to Arizona. Upon hearing their story, Frank is confident that the Archdiocese of Boston will wish to avoid taking the case to court and offer a settlement sufficient to cover the costs of Deborah’s continuing medical care. Meanwhile, the hospital’s Bishop Brophy reviews Frank’s once-prestigious law career, which began its steep decline after he was once accused of jury tampering. Although he hopes to keep the case out of the public eye, Brophy and his aides sense that Frank is scared to challenge them in the courtroom. Gathering witnesses, Frank visits renowned anesthesiologist Dr. David Gruber, who surprises Frank by pressuring him to take the suit to court in order to punish Deborah’s doctors. After agreeing to reconvene for a formal deposition, Frank triumphantly heads to the bar for a drink, where he briefly speaks with a woman searching the newspaper listings for an apartment. He later returns to Deborah’s room in the hospital and is deeply affected by her misfortune. When Bishop Brophy offers him a $210,000 settlement, Frank rejects the money, realizing the immorality of collecting a paycheck without convicting the doctors responsible. Mickey criticizes his decision, but the two resolutely review evidence as the Archdiocese’s defending lawyer, Ed Concannon, briefs his large legal team on the details of the case and analyze Frank’s refusal to settle. At the end of the workday, Frank returns to the bar and spots the same woman, who introduces herself as a recent divorcée named Laura Fischer. After taking her to dinner, he invites her to his drab apartment to have sex, and she laughs at him for keeping a photograph of his former wife on his bedside table. Convincing Concannon and the skeptical Judge Hoyle that he plans to pursue the case, Frank timidly interviews his jurors. On his way to meet Dr. Gruber, he is confronted by Kevin Doneghy, who is furious about the decision to bypass the settlement. Unable to find Dr. Gruber in his office, Frank learns that his primary witness has since fled to the Caribbean, panics, and requests for an extension from the judge. Annoyed, Hoyle refuses, so Frank desperately, and unsuccessfully, attempts to appeal the Archdiocese’s offer. As Concannon rigorously coaches his witnesses, Frank hastily finds an alternate anesthesiologist named Dr. Lionel Thompson, and Deborah’s obstinate obstetrics nurse, Maureen Rooney. She refuses to testify, however, calling Frank an acquisitive lawyer and slamming the door in his face. That night, Dr. Thompson rehearses his answers for the courtroom, but his inexperience and unfamiliarity with medical terms destroys Frank’s confidence. When he mopes about his failure, Laura refuses to show him sympathy and pressures him to “grow up.” As the trial ensues the next morning, Concannon undermines Dr. Thompson’s authority by pointing out that he is frequently paid to testify in malpractice suits. In addition, Judge Hoyle impatiently interrupts Frank’s questioning in order to speed up the proceedings. During the lunch recess, Frank angrily threatens to file for a mistrial before returning to the courtroom and berating his next witness, Dr. Robert S. Towler, claiming that he has lied about the length of time it took to restore Deborah’s heartbeat after she suffered cardiac arrest. That evening, Frank dismisses Dr. Thompson and then tricks Maureen Rooney into telling him where to find another operating nurse, Kaitlin Costello Price, whose notes indicated that Deborah had eaten a full meal one hour prior to surgery. As Laura continues her relationship with Frank, she visits Concannon in his office, where the lawyer welcomes her back to her former job as a member of his firm. After using telephone records to contact Kaitlin, Frank tracks her down in New York City and pleads for her to appear in court. Laura agrees to meet Frank for lunch, but Mickey finds a paycheck from Concannon’s firm in her purse and rushes to the city to tell him of her deception. Upon seeing her, Frank punches Laura in the face and returns to Boston. Now refusing Mickey’s suggestion for mistrial, Frank surprises the court by calling Kaitlin to the witness stand to negate Dr. Towler’s claim that Deborah had fasted for nine hours before the procedure. Concannon shows her a conflicting document and accuses her of lying, but she procures a personal copy of the form, revealing that Dr. Towler blackmailed her into changing the number to protect his career following a series of problematic deliveries. As she leaves the room in tears, Concannon objects to Kaitlin’s unexpected appearance and her use of unapproved evidence. In agreement, Judge Hoyle instructs the jury to entirely disregard her testimony, but Bishop Brophy worries that the jurors may still believe her story. During his final appeal, Frank urges them to consider their religious values and humanity’s intrinsic sense of justice. After deliberation, the jury rules in favor of Deborah Ann Kaye and agrees to award her family a sum much higher than originally established by the plaintiff. Frank sees Laura standing outside the courtroom after the victory, but she disappears before he can approach. That evening, she telephones him from her hotel room, but he leans back in his office chair, letting the call ring unanswered.

5. A FEW GOOD MEN (1992)

A FEW GOOD MEN (1992)

Cast: Tom Cruise, Jack Nicholson, Demi Moore

Directors: Rob Reiner

Producer: David Brown

Writer: Aaron Sorkin

Editor: Robert Leighton

Cinematographer: Robert Richardson

Genre: Drama

Production Company: Castle Rock Entertainment

Composer: Marc Shaiman

At the Judge Advocate General’s Corps in Washington, D.C., Lieutenant Commander JoAnne Galloway asks to defend Lance Corporal Harold W. Dawson and Private First Class Louden Downey, two Marines who are being court-martialed for killing fellow platoon member William Santiago at the U.S. Naval Base in Guantanamo Bay, Cuba. Although a Naval Investigative Service (NIS) agent believes Dawson and Downey killed Santiago to prevent him from naming LCpl. Dawson in an illegal shooting incident, Lt. Cdr. Galloway suspects the marines, who both have exemplary records, may have been carrying out orders for a “Code Red.” Galloway’s superior, Captain West, agrees to move the defendants to Washington, D.C., but refuses to assign Galloway as their counsel. Instead, rookie attorney Lieutenant Daniel Kaffee, who is known for his plea bargaining skills, is assigned to the case. Kaffee is told that Dawson fired an illegal shot over a fence into Cuban territory, and when Private First Class William Santiago threatened to expose him, Dawson, with the help of Downey, likely retaliated by stuffing a poisoned rag down his throat. An hour later, Santiago was found dead. However, both Downey and Dawson deny committing murder. Lt. Kaffee and his co-counsel, Lieutenant Sam Weinberg, meet with JoAnne Galloway, who is offended that Capt. West chose such young attorneys over her. Kaffee asserts that he will negotiate for dishonorable discharge and a shortened prison term of twelve years, but Galloway argues that Dawson and Downey may be innocent. In the months leading up to his death, Pfc. Santiago wrote many requests to be transferred out of Guantanamo Bay, to no avail. Kaffee stops Galloway, insisting that a protracted investigation would lead to questioning Colonel Nathan R. Jessep, a highly decorated marine expected to be appointed Director of Operations for the National Security Counsel. Kaffee does not want to challenge such a powerful authority. Sometime earlier, in Guantanamo Bay, Pfc. William Santiago fights nausea, dizziness, and heat exhaustion, and is beaten by his superiors for falling behind. Col. Nathan R. Jessep is alerted to a letter Santiago sent off the base, requesting to be transferred. Lieutenant Colonel Matthew Andrew Markinson suggests granting Santiago an immediate transfer, but Jessep argues they have a responsibility to train him. He tells Lieutenant Jonathan Kendrick to make sure Santiago receives a perfect score on his next progress report. After Kendrick is dismissed, Jessep warns Markinson never to question his orders in front of another officer again. Back in Washington, D.C., JoAnne Galloway learns that Santiago was declared dead by a physician, Dr. Stone, at 1 a.m. on August 6th, with the cause of death “undetermined.” Two hours later, however, Dr. Stone claimed he was poisoned. Galloway suggests to Kaffee that Dawson and Downey may have been executing a “Code Red.” Kaffee meets with prisoners Dawson and Downey, who explain that “Code Reds” are disciplinary actions carried out by one’s fellow marines. They admit to breaking into Santiago’s room on the night of his death and binding and gagging him as part of a “Code Red”; however, the rag they used was not poisoned and they only intended to shave his head, but stopped short when they saw blood dripping from his mouth. They called an ambulance, but were arrested on suspicion of murder. They vehemently maintain their innocence, and claim to have stuck by their code: “Unit, corps, god, country.” Later, prosecuting attorney Captain Jack Ross negotiates a plea bargain with Kaffee. Ross asserts that Dawson and Downey are obviously guilty, especially since Lt. Jonathan Kendrick gave orders to the platoon on August 6th, warning them not to touch Santiago. Capt. Ross agrees to Kaffee’s proposed plea deal. That evening, Kaffee admits to Sam Weinberg that he found Ross’s defense of Lt. Kendrick suspicious. Galloway joins Kaffee and Weinberg on a visit to Guantanamo Bay, where they examine William Santiago’s barracks room and speak with Col. Jessep, who refuses to answer Galloway’s questions about the practice of “Code Reds.” He claims Santiago was set to be transferred off the base the morning of his death, but when Kaffee requests a copy of Santiago’s transfer order, Jessep flies into a rage and demands that Kaffee ask “nicely.” Back in Washington, D.C., Galloway gets permission from Pfc. Louden Downey’s next of kin, Aunt Ginny Miller, to represent him as private counsel. To Kaffee’s dismay, she joins him in questioning Dawson and Downey, who admit that Lt. Kendrick ordered the “Code Red” on Santiago, shortly after giving contradictory orders to their platoon to stay away from Santiago. Although Kaffee recommends they accept the plea deal, Dawson and Downey maintain they were carrying out orders, and refuse to plead guilty. Kaffee, who worries he will not live up to the reputation of his father, a former attorney general, reluctantly agrees to go to trial. At the court-martial, Galloway is impressed by Kaffee’s ability to engage the jury. Dr. Stone testifies that Santiago died from lactic acidosis poisoning, but Kaffee provides evidence that Santiago likely had an undiagnosed coronary condition that could have caused his lungs to bleed, ruling out poison as the only possible cause of death. That night, Lt. Col. Matthew Andrew Markinson, who was reported missing after Kaffee and Galloway’s visit to Guantanamo Bay, appears in the backseat of Kaffee’s car. Markinson reveals that Col. Jessep never gave a transfer order for Santiago; instead, he originated the “Code Red” that Kendrick ordered Dawson and Downey to carry out. When Lt. Kendrick is called to the witness stand, however, he denies the existence of “Code Reds.” Although Markinson is set to testify, he commits suicide, leaving behind a note of apology to Santiago’s parents. The simple-minded Downey is caught lying when he testifies, and Kaffee loses hope that they might win. Remaining optimistic, Galloway encourages him to subpoena Col. Jessep. Kaffee resists the idea at first, but later decides that Jessep’s pride will be his downfall, and, if provoked, he will admit to ordering the “Code Red.” On the day of Jessep’s questioning, Galloway warns Kaffee to be careful, since he could jeopardize his career by defaming him. Nevertheless, Kaffee presses Jessep on the stand, and points out that, despite Jessep’s claims that Santiago was due to leave Guantanamo Bay at 6 a.m. on August 6th, his belongings were not packed and he had made no phone calls as of 1 a.m. Kaffee succeeds in riling Jessep into a confession that he did, in fact, order a “Code Red” on Santiago. Jessep insists his actions were in the interest of national security, but the judge has him arrested by military police. Dawson and Downey are found not guilty of murder. However, they are dishonorably discharged for Conduct Unbecoming a United States Marine. Downey is incredulous, but Dawson is struck by the realization that they failed to live up to their code by not fighting for Santiago. As Dawson leaves the courtroom, Kaffee contends that he still has honor, and Dawson responds by saluting him.

6. WITNESS FOR THE PROSECUTION (1958)

WITNESS FOR THE PROSECUTION (1958)

Cast: Tyrone Power, Marlene Dietrich, Charles Laughton

Directors: Billy Wilder

Producer: Arthur Hornblow

Writer: Billy Wilder

Editor: Daniel Mandell

Cinematographer: Russell Harlan

Genre: Drama, Mystery

Production Company: Edward Small Productions, Inc., Theme Pictures, Inc.

Composer: Matty Malneck

Following a lengthy hospital stay for a near-fatal heart attack, famed London barrister Sir Wilfrid Robarts returns to his combined office and lodgings near The Old Bailey, accompanied by his overbearing nurse, Miss Plimsoll. Sir Wilfrid chafes at her constant vigilance and becomes despondent at the thought that he may no longer be able to try criminal cases. That afternoon, Mayhew, a friend and solicitor, arrives unannounced to discuss an urgent case. Despite a verbal scolding from Miss Plimsoll, Sir Wilfrid speaks with Mayhew and his client, Leonard Vole. Mayhew fears that Leonard will soon be charged with the stabbing murder of Mrs. Emily Jane French, a wealthy widow who was a friend of Leonard, and whom he is known to have visited the day she was killed. Upon questioning, the personable Leonard relates that he was in the army during World War II and stationed in Germany, where he met Christine, a German actress whom he married and brought home to England. Admitting that he has been unemployed for months, Leonard says that he is an inventor who has been trying to get financing for his revolutionary new eggbeater. He then describes two accidental meetings with Mrs. French, after which they became friends. Charmed by Leonard’s straightforward manner and sheepish confession to having hoped that Mrs. French would finance his invention, Sir Wilfrid nonetheless turns the case down on doctor’s orders. He then suggests fellow barrister Brogan-Moore, whom he has his faithful assistant Carter summon. Sir Wilfrid pressures Leonard on details of the night of the murder and his relationship with Mrs. French. Though increasingly emotional, Leonard does not change his story, impressing Sir Wilfrid with his innocence. When Brogan-Moore arrives, Sir Wilfrid tells him that the case should be easy, as there was absolutely no motive for Leonard to kill Mrs. French, who might have given him money if she had lived. Brogan-Moore then reveals that in Mrs. French’s will, which has just been opened, she left Leonard £80,000. Leonard reacts happily to news of the legacy until suddenly realizing its implication. Moments later, the police arrest him. After Leonard is taken away, Brogan-Moore, who is not convinced of his innocence, relates that Christine is his only alibi. As Sir Wilfrid is about to go take a rest, Christine appears at the office, surprising him with her sophistication and cool detachment. Although she confirms Leonard’s alibi, she implies that he asked her to lie and has not been truthful about his relationship with Mrs. French. Sir Wilfrid is shocked when she matter-of-factly states that Leonard ”has a way with women,” then announces that she and Leonard are not legally married because she never divorced her German husband. After she promises to be very convincing on the witness stand, even if lying, Brogan-Moore concludes that the case is hopeless. Sir Wilfrid, however, believing in Leonard’s innocence, takes the case. Just before the trial, Sir Wilfrid visits Leonard in jail and reads a statement from Mrs. French’s housekeeper, Janet McKenzie, in which she swore that Leonard had helped Mrs. French draft a new will. In answer to a question the police had about a cut on his finger, Leonard says that he got the cut while slicing a loaf of bread, something Christine can confirm. Leonard asks why Christine has not come to visit him, then breaks down, saying that he cannot get through the trial without her. On the day of the trial, Sir Wilfrid’s fragile health causes him to miss the opening moments, but he soon arrives with a flask of brandy camouflaged for Miss Plimsoll’s benefit as cocoa. Sir Wilfrid objects strenuously to every point made by Crown Prosecutor Mr. Myers, while Miss Plimsoll observes from the spectators’ gallery, discussing the case with a young woman. Following damning testimony by the first few witnesses, Janet remains steadfast about her previous statements about the night of the murder and the day that she overheard Leonard and Mrs. French discussing the will. However, Sir Wilfrid successfully establishes that Janet had been Mrs. French’s beneficiary in the previous will and has a hearing problem that would make it difficult for her to discern voices behind a closed door. On the third day of the trial, Christine is called to testify. Upon learning that their marriage was never valid and hearing Christine testify that he came home on the night of the murder and said “I’ve killed her,” Leonard breaks down in anguish as women in the courtroom express their disdain for Christine. During an emotional cross-examination, Sir Wilfrid establishes the pattern of lies Christine has told, accusing her of being a habitual liar, but she will not be shaken from her testimony. When the crown rests its case, Sir Wilfrid calls his only witness, Leonard, who steadfastly affirms that he is not guilty. Under cross-examination, Myers brings up new evidence that Leonard and an unidentified young woman had visited a travel agent on the day of Mrs. French’s murder and were interested in deluxe cruises. Leonard says that he hardly knew the girl and was merely asking for brochures for fun, then becomes hysterical over the horrible nightmare in which he has found himself. That evening, Sir Wilfrid ponders Christine’s testimony, telling Mayhew that he cannot understand why she lied. Just then, he receives a phone call from an anonymous Cockney woman who says she has “the goods” on Christine and demands that Sir Wilfrid meet her at Euston Station. Sir Wilfrid immediately goes to meet the woman, who snarls her hatred of Christine, and after Sir Wilfrid gives her £40, hands over a packet of “juicy” letters from Christine to a man named Max, who she says had been her lover before falling in love with Christine. She refuses to give her name, or Max’s last name, then disappears after showing Sir Wilfrid a scar on her face, which she said came from Max. The next day in court, as Myers begins his closing statement, Sir Wilfrid interrupts to recall Christine. Over Myers’ objections, the judge allows Christine to retake the stand. Now Sir Wilfrid confronts her with the content of the letters which stated, in her own hand, that she was planning to place the blame for Mrs. French’s murder on Leonard so that she could be free to be with Max. Christine screams out “Lies, all lies,” but Sir Wilfrid tricks her into confirming that the letters were hers. The jury quickly returns a not guilty verdict, but Sir Wilfrid begins to think that everything was “too neat.” While Leonard is retrieving his things from the bailiff, Christine comes back into the near empty courtroom, seeking refuge from the crowd of angry spectators. When Sir Wilfrid warns that she will go to jail for perjury, she demurs, saying that the testimony she gave was the truth, not because she knew that Leonard was innocent, but because she knew he was guilty. She then reveals that she did what she had to because she loves Leonard and the jury never would have believed supportive testimony from a loving wife. She then assumes the Cockney woman’s accent and reveals that Max and the letters were figments of her imagination. Now Leonard re-enters the courtroom and blithely says that he knew Christine was planning something but not what. As he is promising to pay for Christine’s defense, Miss Plimsoll and Diana, the young woman from the spectator’s gallery, enter the courtroom. When Diana throws herself into Leonard’s arms and announces that she is his girl, Christine is stunned. Leonard then coolly tells Christine that her saving his life pays him back for taking her out of Germany. Christine then grabs the murder knife still lying on the table and plunges it into Leonard. After Miss Plimsoll examines the body and announces “she killed him,” Sir Wilfrid responds, “she executed him.” As Sir Wilfrid ponders the case, Miss Plimsoll tells Carter to cancel his planned Bermudan vacation. After she hands Sir Wilfrid his court wig and reminding him not to forget his flask of brandy, he puts his arm around her as they leave the courtroom together.

7. ANATOMY OF A MURDER (1959)

ANATOMY OF A MURDER (1959)

Cast: James Stewart, Lee Remick, Ben Gazzara

Directors: Otto Preminger

Producer: Otto Preminger

Writer: Wendell Mayes

Editor: Louis Loeffler

Cinematographer: Sam Leavitt

Genre: Drama

Production Company: Carlyle Productions, Inc.

Composer: Duke Ellington

Ever since losing his bid for reelection as the district attorney of Iron City, Michigan, attorney Paul “Polly” Biegler has sought solace in his two favorite hobbies, playing jazz on the piano and fishing. One day, when a woman named Laura Manion phones Paul and begs him to represent her husband Frederick, who has been arrested for murder, Parnell McCarthy, a lapsed lawyer who views life through the bottom of a liquor bottle, urges his friend Paul to accept. Because Paul had been on a fishing trip at the time of the murder, Parnell tells him about the case. Manion, an army lieutenant serving at a nearby base, has been charged with killing Barney Quill, a bartender who allegedly raped Laura. The next morning at the jailhouse, Paul meets Laura, who is sporting a black eye that she claims was inflicted by Quill during the rape. When Manion insolently asserts that the murder was justified by the rape, Paul experiences doubts about taking the case. After completing his conference with the Manions, Paul relates his feelings to Parnell, who urges him to take the case because he needs the money. Following Parnell’s advice that it is a lawyer’s duty to “guide” his client to the correct defense, Paul coaches Manion to say that he was insane at the time of the murder. Upon returning to his office, Paul finds the seductively dressed Laura waiting to see him. When he asks her to recount the night of the rape, she states that Quill offered her a ride home, but when they found the gates to her trailer park locked, he pulled off the road and raped and beat her. After Laura leaves, Paul asks Parnell to work with him on the case, but warns that he must “lay off the booze.” Paul then informs Manion that he will represent him, and Manion, pleading poverty, asks the attorney to accept a promissory note. Later, as Laura flirts with Paul outside the jailhouse, Paul warns that her husband is watching. Knowing that Manion is insanely jealous, Laura flinches. Paul then proceeds to the bar in Thunder Bay where Quill worked. Although bartender Alphonse Paquette curtly responds to his questions, Paul ascertains that Mary Pilant, who manages Quill’s Thunder Bay Hotel, now runs the bar. Paul’s secretary, Maida Rutledge, and Parnell then try to unearth information about Mary and learn that she recently moved to Thunder Bay from Canada and that Quill was fiercely protective of her. That evening at a nightclub, Paul sees a rowdy Laura dancing with some soldiers and takes her home, warning that she must appear demure in order to give credibility to her husband’s case. Laura shocks Paul when she responds that she would be glad if her husband was convicted, because then she could get away from him. With two days left before the start of the trial, Manion confers with army psychiatrist Matthew Smith, who diagnoses that he is suffering from “disassociative reaction” or, in layman’s terms, an irresistible impulse to shoot Quill. While scouring the law books for a precedent on which to base their case, Parnell and Paul come upon an 1886 ruling in which the court concluded that the defendant was forced to commit a crime because of an impulse he was powerless to control. The following Monday, as the court is convened by visiting judge Weaver, Laura enters the room, dressed in a baggy suit, horn rimmed glasses and a hat. Mitch Lodwick, the relatively inexperienced new district attorney, has requested that Claude Dancer, an assistant attorney general from the “big city,” serve as co-counsel. As testimony begins, Paul charges that the prosecution is suppressing evidence about the rape in order to insure that his client is convicted. When George Lemon, the manager of the trailer park, testifies that Manion admitted murdering Quill, Paul steers him into acknowledging that Laura had been severely beaten and that screams had been heard at the park gates on the night of the murder. Sgt. James Durgo then takes the stand, and Paul tricks him into admitting that the district attorney instructed him to substitute the phrase “some trouble” for rape. Overruling Mitch’s objections about introducing the rape, the judge allows Paul to continue his line of questioning. Durgo then avers Laura was raped, although her panties were never found at the scene of the crime. Incensed by the turn of events, Dancer takes over the questioning and tries to portray Laura as a seductress. Paul rebuts his charge by stating that Laura’s beauty drove her husband to murder the man who defaced her. Parnell had left the courtroom during the trial, and once court is adjourned for the day, Durgo informs Paul that his friend has been injured in an automobile accident, then takes him to Parnell’s hospital room. There Parnell, who does not possess a driver’s license, tells Paul that he drove to Canada to investigate Mary’s past and has learned that she was Quill’s illegitimate daughter. When the trial reconvenes, Paul tries to establish Laura’s veracity by introducing the fact that she swore to her husband on a rosary that she was raped. As Dancer calls Laura to the stand, Mary enters the courtroom. After eliciting that Laura had previously been divorced, Dancer establishes that she has been ex-communicated from the Catholic Church and therefore her oath was meaningless. Dancer then suggests that her panties were never found because she was not wearing them and implies that she lied about being raped to prevent her insanely jealous husband from beating her. Paul then calls Dr. Smith to the stand to testify that the shooting was a case of “disassociative reaction.” In his cross-examination of Smith, Dancer asks if Manion would have known right from wrong in that state. When Smith answers in the affirmative, Dancer smugly calls for a conference in the judge’s chambers and argues that because Manion knew right from wrong, he cannot be adjudged legally insane. Paul then hands the judge a law book and asks him to turn to the 1886 court ruling that established the precedent for Manion’s defense. Outfoxed by a man he incorrectly deduced was a folksy attorney, Dancer returns to the courtroom to call a surprise witness, Duane “Duke” Miller, an inmate who had been incarcerated with Manion. When Duke swears that Manion boasted that he fooled his attorney, his psychiatrist and that he will also fool the jury, Paul asks for a copy of the inmate’s record. Paul then impugns his testimony by reading the litany of crimes for which he has been convicted, calling him an inveterate criminal and liar. After Paul returns to his seat, Maida whispers that Mary, who earlier had left the courtroom, is waiting in the hall to talk to him. Once Paul ushers Mary into the courtroom, she takes the stand and testifies that after learning of the missing panties, she returned to the hotel where she found them in the laundry chute next to Quill’s room. When Dancer, believing that Mary was Quill’s mistress, argues that someone else could have put them in the chute and that Mary brought them to court in revenge for Quill’s interest in Laura, Mary invalidates his argument by revealing that she was Quill’s daughter. The jurors adjourn after closing arguments and soon return with a not guilty verdict. After Manion is released, Paul and Parnell drive to the trailer park to collect Manion’s promissory note. Upon arriving at the park, they are greeted by Lemon, who informs them that the Manions have gone. Lemon hands Paul a note from Manion, and tells him that Laura was in tears as the trailer pulled out. In the note, Manion explains that he was seized by an “irresistible impulse” to leave.

8. IN COLD BLOOD (1967)

IN COLD BLOOD (1967)

Cast: Robert Blake, Scott Wilson, John Forsythe

Directors: Richard Brooks

Producer: Richard Brooks

Writer: Richard Brooks

Editor: Peter Zinner

Cinematographer: Conrad Hall

Genre: Drama

Production Company: Pax Enterprises

Composer: Quincy Jones

At 2:00 a.m. on November 15, 1959, in the farming town of Holcomb, Kansas, four members of the Herbert Clutter family are roused from their sleep, bound and gagged, and then brutally murdered by two assailants. The killers, Perry Smith and Dick Hickock, had first met in a state prison where the arrogant Dick picked out the quick-tempered Perry, aspirin-addicted as a result of the lingering pain of leg injuries sustained in a motorcycle accident, as the “born killer” he needed for a partner. The robbery had been planned by Dick when a former inmate told him that Mr. Clutter kept $10,000 in a safe in his home. There was no safe, however, and the killers left with only $43. As the police, led by Alvin Dewey of the Kansas Bureau of Investigation, attempt to solve the murders, the two fugitives cash a series of bad checks and make their way to Mexico, where Perry dreams of becoming a gold prospector. But the plan, like most of Perry’s fantasies, comes to naught, and Dick insists that they return to the States. Confident that they have left no clues, they cash additional bad checks. Dick’s prison friend has already turned informer, however, and a police dragnet has been set up. In time the two killers are apprehended in Las Vegas and subjected to intensive questioning, during which their alibis are broken by keeping them separated while they tell conflicting stories. Finally, the soles of their shoes match footprints through Mr. Clutter’s blood. Swiftly brought to trial and convicted, they are sentenced to be hanged at the Kansas State Penitentiary in Lansing; following appeals and stays of execution, they go to the gallows on April 14, 1965.

9. A CRY IN THE DARK (1988)

A CRY IN THE DARK (1988)

Cast: Meryl Streep, Sam Neill, Bruce Myles

Directors: Fred Schepisi

Producer: Verity Lambert

Writer: Robert Caswell

Editor: Jill Bilcock

Cinematographer: Ian Baker

Genre: Drama

Production Company: Cannon Entertainment Inc., Cinema Verity , Evil Angels Films Pty. Ltd.

Composer: Bruce Smeaton

In August 1980, Lindy Chamberlain and her husband, Michael, take their two sons, Aidan and Reagan, and nine-week old daughter, Azaria, on a road trip to Ayers Rock in the Northern Territory of Australia. One night, at a campsite near the rock, Michael throws food scraps to a wild dingo lingering nearby and Lindy reprimands him for encouraging the animal. After putting Azaria to sleep in a basinet inside the children’s tent, Lindy returns to Michael at the grill, several feet away from the tent. Suddenly, another young mother hears Azaria crying and alerts Lindy, who rushes toward the tent and sees the backside of a dingo half-immersed in the children’s tent. It appears to be shaking its head, although Lindy cannot see what is in its mouth. Lindy yells at the dingo and the animal flees. By the time Lindy reaches the tent, she discovers that Azaria is missing from her basinet and cries, “The dingo got my baby!” Although Lindy chases after the dingo, it is too dark to see. Hoping to save Azaria, Michael and several campers wield flashlights as they make their way into the brush surrounding the campsite. When the police organize an even larger search party, Michael, a minister of the Seventh Day Adventist church, leads them in prayer, acknowledging that Azaria can no longer be alive but thanking them for their continued efforts. A nearby hotel offers to house the Chamberlains, free of charge, while police continue to investigate. Unable to sleep, Lindy frets about leaving the tent unzipped while Michael wonders aloud why God has taken their baby. The next day, police report they have found nothing. News reporters arrive to interview the Chamberlains, and when their story is aired, Australians react in disbelief and joke about the improbability of a dingo eating a baby. Sometime later, the Chamberlains return home, and reporters continue to hound the family for interviews. Bloodstained baby clothes are found in a cave located near a dingo lair, and some reports state that the clothes were neatly folded. People gossip about the Chamberlains’ religious beliefs; rumors spread that they sacrificed their baby in a strange ritual and were once linked to the Jonestown cult. The couple is also faulted for giving so many interviews, but Lindy insists she simply wants to counter the untruths floating around. Angry about the hype surrounding them, Michael orders Lindy to stop talking to the press. Meanwhile, forensic scientists examine Azaria’s bloodstained clothes and determine that dingo teeth could not have made the tears. Police investigator Graeme Charlwood visits the Chamberlains at home and an inquiry is held soon after; however, a death threat interrupts Lindy’s testimony, and later, a bomb threat is called in to the Chamberlains’ hotel at Ayers Rock, where they are forced to return for further questioning. In a televised ruling, a judge finds the Chamberlains innocent, but states that a human, not a dingo, murdered their child. Michael is accepted into a masters program at Avondale College and the family moves to a new home near the campus. On the anniversary of Azaria’s death, Michael brings Lindy flowers and weeps, admitting that he is sometimes overwhelmed by anger because he hardly knew their daughter. Just as their lives begin to settle down, the chief minister of the Northern Territory police allows Graeme Charlwood to re-open his investigation of the Chamberlains. Their house is raided for a second time, and the families who were at the Ayers Rock campsite at the time of Azaria’s death are questioned. New forensic reports claim the baby was decapitated, and police find a stain underneath the dashboard of the Chamberlains’ car that appears to be dried blood. Murder charges are brought against Lindy, alleging she slit Azaria’s throat inside the car and transported the baby’s body inside Michael’s camera bag to a hiding place. Meanwhile, Lindy convinces Michael to conceive a child with her, as they may not have another chance if she goes to jail. Michael struggles with his faith in God, unsure that he can continue to be a pastor when he cannot understand God’s will. As the trial begins, Lindy is visibly pregnant. Her defense lawyers insist that the “blood” found in the car could technically be rust, the nail scissors she is accused of using to cut the baby’s clothes were not sharp enough, and despite public opinion otherwise, dingos are capable of carrying up to twenty pounds in their mouths over long distances. During her testimony, Lindy claims that Azaria was wearing a matinee jacket on top of the baby clothes that were found, which would explain why no dingo saliva was detected on the underclothes. Lindy’s cool demeanor irks the general public, and she ignores her lawyers’ urgings to act more demure. Although the judge encourages the jury to remain unbiased, a majority of Australians believe Lindy killed her child and the jury agrees, finding her guilty. She is sentenced to life in prison and hard labor, while Michael is found to be an accessory and sentenced to eighteen months in prison; however, as the primary caretaker of their children, he is pardoned. Despite Lindy’s appeals to keep her baby in prison, the newborn, Kahlia, is removed from her mother’s arms an hour after birth. Michael raises the baby at home, along with Aidan and Reagan, and continues to fight for Lindy’s innocence. Over the next few years, the alleged blood pattern underneath the dashboard of the Chamberlains’ car is found in several similar models, and Azaria’s matinee jacket is discovered near Ayers Rock. Lindy is released from prison “on compassionate grounds” and her neighbors celebrate her arrival home. Although young Kahlia does not want to hug Lindy at first, the family is happily reunited. At church, Lindy tells her fellow parishioners that the fight to clear her name has only just begun. She and Michael are finally found innocent and exonerated in 1988, eight years after Azaria’s diappearance.

10. JUDGMENT AT NUREMBERG (1961)

JUDGMENT AT NUREMBERG (1961)

Cast: Spencer Tracy, Burt Lancaster, Richard Widmark

Directors: Stanley Kramer

Producer: Stanley Kramer

Writer: Abby Mann

Editor: Frederic Knudtson

Cinematographer: Ernest Laszlo

Genre: Drama

Production Company: Roxlom Films

Composer: Ernest Gold

In 1948 Dan Haywood, an American judge recently defeated for reelection in Maine, arrives in Nuremberg to preside over the trial of several German judges accused of destroying law and justice to support Hitler’s infamous mandates which took the lives of six million innocent people. From the moment the prosecuting attorney, Col. Tad Lawson, makes his emotion-packed opening statements, it is obvious that he is determined to obtain the maximum punishment for the judges. The defense lawyer, Hans Rolfe, counters by charging that if these men are guilty because they upheld the laws of their country, then all of Germany must be tried. To support his accusations of inhuman actions, Lawson offers the testimony of Rudolf Petersen, a victim of sterilization who, it develops, was castrated because of mental incompetence. During the long weeks of the trial, Haywood wanders about the city trying to understand the German people, and attempting to determine if they really understood what Hitler stood for. In particular, Haywood often chats with the aristocratic Madame Bertholt, the widow of a German general executed after the earlier war crimes trials. The proceedings reach a climax when a woman named Irene Hoffman is called to the stand. When she testifies that a former friend, an aged Jew, was falsely accused of being intimate with her (thereby “polluting the Aryan race”) and then executed, Rolfe challenges her story by frantically accusing her of distorting the truth. As the distraught woman breaks into hysterical denials, one of the accused, Ernst Janning, interrupts the hearings and asks to make a statement. Throughout the trial he has remained silent, but he now voluntarily takes the stand and admits to being guilty of both ignoring and rationalizing the inhuman Nazi acts because he felt they were for the ultimate good of the country. As Haywood and his two associate judges ponder their decisions, the news that Russia has blockaded Berlin prompts military officials to hint that lenient judgments might be wise–and expedient. But Haywood, determined to stand for “justice, truth, and the value of a single human being,” refuses to compromise, and he sentences the defendants to life imprisonment. The defiant Rolfe sneers that in five years the convicted men will be free.

EPIC

AFI defines “epic” as a genre of large-scale films set in a cinematic interpretation of the past.

1. LAWRENCE OF ARABIA (1962)

LAWRENCE OF ARABIA (1962)

Cast: Peter O’Toole, Alec Guinness, Anthony Quinn

Directors: David Lean

Producer: Sam Spiegel

Writer: Robert Bolt

Editor: Anne V. Coates

Cinematographer: F. A. Young

Genre: Adventure, Biography

Production Company: Horizon Pictures (G.B.), Ltd.

Composer: Maurice Jarre

In 1916 British Intelligence supports the Arab rebellion against the Turkish-German alliance. Dryden, a civilian member of the Arab Bureau, selects Lt. T. E. Lawrence, an enigmatic twenty-nine-year-old scholar, to evaluate the Arab revolt. Enthusiastically undertaking this assignment, the officer contacts Prince Feisal, a rebel leader, and persuades Feisal to lend him a force of fifty men. With this skeleton band, accompanied by Sherif Ali ibn el Karish, Lawrence crosses the Nefud Desert. At the journey’s end, however, Lawrence learns that one of his men is missing. Undeterred by Arab assertions that the missing man’s death had been divinely decreed, Lawrence returns to the desert and rescues him, earning thereby Ali’s friendship and the respect of his subordinates. At a well Lawrence is confronted by the sheikh Auda Abu Tayi, whom he persuades to join the assault on Aqaba, a Turkish port at the desert’s edge. The Turks, surprised by the overland attack, are routed, and the victory revitalizes the Arab rebellion. Arab unity, however, is undermined by internecine warfare. When one of his troop slays one of Auda Abu Tayi’s henchmen, Lawrence in expiation executes the murderer, who proves to be the Arab he had saved in the desert. Unnerved, Lawrence returns to Cairo. Delighted by Lawrence’s military success, however, General Allenby provides him with arms and money for future victories. Lawrence launches a series of successful guerrilla raids, which, as reported by American journalist Jackson Bentley, establish his international reputation. While on a scouting mission with Ali, Lawrence is captured and tortured by the Turks. He returns to Cairo, where General Allenby persuades him to spearhead an attack on Damascus. After the battle, Lawrence leads his men in the massacre of the retreating Turks. Upon entering Damascus the British Army is met by victorious Arab forces. Lawrence relinquishes control of the city to an Arab Council, but soon factionalism threatens to destroy it. On May 19, 1935, Lawrence dies in a motorcycle crash in Dorset, England, and is commemorated in services at St. Paul’s.

2. BEN-HUR (1959)

BEN-HUR (1959)

Cast: Charlton Heston, Jack Hawkins, Haya Harareet

Directors: William Wyler

Producer: Sam Zimbalist

Writer: Karl Tunberg

Editor: Ralph E. Winters

Cinematographer: Robert L. Surtees

Genre: Epic

Production Company: Metro-Goldwyn-Mayer Corp.

Composer: Miklos Rozsa

During the reign of the emperor Tiberius, the Roman officer Messala arrives in Jerusalem as the new Tribune, head of the Roman garrison. Having spent much of his boyhood in Jerusalem while his father was provincial governor of Judea, Messala became close friends with Judah Ben-Hur, a Jewish prince from a rich and influential family. On the night of his return, Messala is visited by Judah, and the two men warmly reminisce about happy times of their boyhood. Messala tells Judah that the emperor wants the recent rebelliousness of Judea crushed and asks for his help. Judah is uneasy with the request but, as he is against violence, agrees to speak with other influential Jews. The next day, Messala visits Judah, his mother Miriam and sister Tirzah. Messala gives Tirzah a beautiful brooch, and Judah presents Messala with a horse he has raised, but the men argue over Messala’s insistence that Judah tell him the names of Jewish leaders who will not denounce rebellion. Judah refuses, severing their friendship. That night, Simonides, the faithful steward of the house of Hur, returns from Antioch with good news of the family’s increasing wealth. He asks for permission for his daughter Esther to marry a free man, and says that she wants to ask Judah personally for permission. Judah is attracted to Esther, whom he has not seen since childhood, and grants permission, saying her freedom will be his wedding gift, even though he knows that she is marrying only because her father wishes it. Later that night, when Judah and Esther are alone, they exchange a passionate kiss. Judah then takes Esther’s slave ring and promises to wear it until he meets the woman he will marry. The next day, Gratus, the new governor, arrives to a cold reception by the people of Jerusalem. As Judah and Tirzah watch his procession from the roof of their house, Tirzah leans against some tiles and accidentally loosens them, causing them to fall just as Gratus is passing. After he is thrown from his horse and knocked unconscious, Roman soldiers storm the house. As they enter the courtyard, Judah tells Tirzah and Miriam to say nothing, then tries to reason with the soldiers, pleading that it was an accident. When Messala suddenly appears at the courtyard entrance, Judah appeals to him, but Messala coldly watches as Judah, Tirzah and Miriam are taken away. After their arrest, Messala goes to the roof and sees the loose tiles, confirming that Judah had been telling the truth, but says nothing. Soon guards go to Judah’s cell to tell him that he is being sent to the seaport of Tyrus, which Judah knows means imprisonment as a galley slave. He overpowers the guards and escapes into the garrison, then steals a spear and breaks into Messala’s quarters. After Messala orders his guards to leave them, Judah demands to know what has happened to Miriam and Tirzah. Messala tells him that Gratus will recover but they will be punished for their crime. Judah does not understand why Messala would let this happen, especially after Messala admits that he knows the truth. Judah begs for mercy, but Messala rebuffs him, saying that the people now will fear him, and warning if Judah kills him, Tirzah and Miriam will be crucified before his eyes. Defeated, Judah has no choice but to let the guards take him away as he asks God to grant him vengeance. Days later, as Judah and other chained prisoners, weakened by thirst and exhaustion, enter the town of Nazareth, townspeople offer them water, but the Roman guard stops a woman who tries to give some to Judah. In despair, Judah falls to the ground and implores God to help him. At that moment, a carpenter, who has seen his plight, approaches, gives him water and bathes his face and hands. The guard then tries to stop the carpenter but strangely acquiesces when he looks into the man’s face. Judah also gazes in awe at the young Nazarene, not understanding why he has offered help. Three years later, Judah is rower 41 in a Roman galley. On the day that Roman Consul Quintus Arrius takes command of the vessel, Arrius goes below to survey the rowers. Sensing both strength and hatred in 41, Arrius deliberately taunts him by lashing him, and later observes his reaction when the men are submitted to a grueling test of endurance to increase their rowing speed. Later, Judah is ordered to Arrius’ quarters, where the consul offers him the chance to leave the galley and become a charioteer or gladiator. Judah declines, saying that he has not died because God does not want it so. Soon a fleet of Macedonian ships is sighted and the galley prepares for battle. Prior to the start of the fighting, Arrius orders a subordinate to chain and lock the rowers’ shackles to their posts, but leave 41’s unlocked. During the battle, when their galley is rammed, the rowers are trapped until Judah kills their guard, takes his keys and unlocks the others. He then goes on deck, where he throws a spear at an enemy soldier who has attacked Arrius and forced him into the water. Judah dives after Arrius and pulls him to safety on some floating debris that serves as a raft. When Arrius realizes that his ship is sinking, he tries to kill himself with his own knife, but Judah stops him. The next morning, the two men are alone in the sea, with no ships in sight. Arrius asks to know 41’s name and wonders why he saved his life. Moments later, they see a ship in the distance and realize that it is Roman. When they are brought onboard, Arrius shocks the captain by giving Judah water before he himself drinks. He then learns that, although five galleys were lost in the battle, the Romans were victorious. Arrius then takes Judah’s arm, and leads him off, past the rowers’ hole. Some time later, Arrius is hailed in a procession through the streets of Rome, accompanied by Judah, who rides in his chariot. When the emperor awards Arrius with the baton of victory, he inquires about Judah and agrees to meet with Arrius to discuss his situation. The next day, the emperor gives Judah to Arrius, to be his slave. Months later, Judah has ridden Arrius’ chariot to victory five times in the Roman arena, bringing him fame and admiration throughout Rome. At a celebration banquet, Arrius announces that he is adopting Judah as his heir, replacing the son who had died. When Arrius and Judah, who accepts his new name as Young Quintus Arrius, speak privately, Judah tells Arrius of his affection and gratitude, and accepts his signet ring, but reveals that he must return to Judea to find his mother and sister. On his way to Jerusalem, Judah stops at an oasis, where an old man, Balthasar of Alexandria, thinks that he may be the man whom he saw as a baby in a stable in Bethlehem. Balthasar soon realizes that Judah is not that man, but the two strike up a friendship. Balthasar introduces Judah to Sheik Ilderim, a wealthy Arab who cherishes his magnificent team of white chariot horses. Judah observes the team and admires them, but over dinner in Ilderim’s tent, refuses his suggestion that he drive the team for him in the arena. Judah is intrigued, though, when Ilderim expresses his hope to humiliate the arrogant Messala by a victory over his chariot and adds that, in the arena, there is no law. When Judah arrives at his family’s now-decaying home in Jerusalem, he is surprised to see Esther, who never married but returned to the house with Simonides after he, who was also imprisoned, was released. Simonides, who was crippled and blinded under torture, proudly tells Judah that his fortune is safely hidden. Later, Judah and Esther kiss and reveal their feelings for each other, but Esther worries that Judah is consumed with hate and tells him of a young Nazarene she has heard of who preaches of love. The next day, Messala receives the gift of an expensive knife from Quintus Arrius, the younger. Messala is shocked when the man is revealed to be Judah, who shows him the seal from Arrius’ signet ring. Judah then tells Messala if Miriam and Tirzah are restored to him, he will forget what has happened, and says that he will return the next day. Shaken by Judah’s appearance, Messala tells his underling Drusus to go to the prison and find out what has happened to the women. In the lowest level of the prison, Drusus discovers that the women, who had not been seen in years, are now lepers. Fearful of the disease, the guards order the women taken to the edge of the city and the contents of their cell burned. Late that night, Miriam and Tirzah, covering their deformities in rags, go to their home. Although they merely want to look at it, Esther hears them. The women refuse to let her approach, and when Esther reveals that Judah is not dead, but in Jerusalem, Miriam makes her promise to tell him that they have died in prison. When Esther later tells Judah what Miriam had asked, his bitterness and despair frighten her, and she implores him not to be consumed with hatred. Judah will not listen, though, and leaves, determined to find a means of revenge against Messala. [An intermission divides the story at this point.]
       Soon Ilderim goes to Messala’s home, offers a wager of a trunk filled with gold and silver and asks him and his companions for odds on an upcoming chariot race. When Messala hears that his opponent will be Judah, he accepts the wager at four to one, calling it the difference between a Roman and a Jew–or an Arab. On the day of the race, Pontius Pilate, an old friend of Arrius, who has become the new governor of Judea, oversees the race. Ilderim is optimistic, and happy that Judah has earned his horses’ affection, but worries when he sees that Messala’s chariot has spiked wheels and warns Judah. During the nine-lap race, Messala uses the blades on his wheels to destroy many chariots, and several of the other charioteers are killed or maimed. Messala tries to destroy Judah’s chariot, but instead crashes his own and is dragged by his team. Judah wins the race and is crowned victorious by Pilate, who calls him the crowd’s current god when the Judeans cheer loudly for him. After the race, Messala, who is in agony, will not allow the physician to amputate his mutilated legs until after Judah, whom he has summoned, arrives. Rather than seeking forgiveness, as Messala dies, he taunts Judah by revealing that Tirzah and Miriam are not dead but living in the valley of the lepers. In despair, Judah goes to the valley to find his mother and sister, ignoring the fear of contagion. As he searches, he is stunned to see Esther and Malluch, the mute who takes care of Simonides, bringing baskets of food down to the lepers’ caves. Judah angrily confronts Esther for her deception and demands to see Miriam and Tirzah, but she pleads that they would be shattered if he saw what has become of them. When Miriam and Tirzah weakly call for Esther, Judah hides as Esther gives them food, and weeps when he hears his mother ask if he is well and happy. Although still unconvinced by Esther’s pleas to remain hidden, Judah nonetheless leaves with her and Malluch. On their way back to the city, they see a crowd gathering on a mountain top. Balthasar, who is in the crowd, calls out to Judah, saying that the Nazarene who will speak is the one he sought, and that he is the son of God. Although Judah momentarily thinks of the Nazarene who had given him water, he scoffs at the remark and returns to the city alone. Judah is then summoned by Pilate, who greets him warmly as the son of his old friend, and delivers the message that he has been granted Roman citizenship. Though expressing his affection for Arrius, Judah rejects the citizenship and gives Arrius’ ring to Pilate to return, saying that Rome turned Messala into what he became. When Judah returns home, Esther tells him of the words of love and forgiveness she heard from the Nazarene, but Judah will not listen. The next day, Esther returns to the valley of the lepers, followed at a distance by Judah. When Miriam approaches she reveals that Tirzah is dying. As Esther tells Miriam of the Nazarene’s words and says that she wants to take them to him, Judah comes forward. Miriam tries to make Judah go away by showing him her deformed face, but Judah strokes her forehead and embraces her. He then carries Tirzah from the cave and, with Miriam and Esther, walks back to Jerusalem. The city is almost deserted when they arrive. People shun the lepers, but an old blind man tells them that people are gathered for the trial of the Nazarene. They then walk to the center of the city and observe Pilate washing his hands of the man, who is sentenced to death. Seeing the Nazarene’s tortured body, the women weep, but Judah suddenly recognizes him. Judah then follows his journey to the crucifixion site, and when the Nazarene stumbles under the weight of his cross, offers him water. As the women sadly return to the valley of the lepers, Judah continues to follow the Nazarene. When Judah sees Balthasar, he relates what happened in Nazareth and wonders what the man has done to deserve this, but Balthasar says that he came into the world for this purpose. As the Nazarene dies, the skies darken and a storm rages. Outside the city, Miriam, Tirzah and Esther have taken cover. Tirzah says that she is no longer afraid, and Miriam sadly says, “His life is over.” Suddenly, through lightning flashes, Esther sees that Miriam and Tirzah no longer bear the deformities of leprosy. That night, when Judah returns home, he embraces Esther and relates that, even near death, the Nazarene sought forgiveness for those who caused his suffering. Esther then shows him that Miriam and Esther have been cured and the four lovingly embrace.

3. SCHINDLER’S LIST (1993)

SCHINDLER’S LIST (1993)

Cast: Liam Neeson, Ben Kingsley, Ralph Fiennes

Directors: Steven Spielberg

Producer: Steven Spielberg

Writer: Steve Zaillian

Editor: Michael Kahn

Cinematographer: Janusz Kaminski

Genre: Drama

Production Company: Amblin Entertainment

Composer: John Williams [composer]

In September 1939, at the onset of World War II, German entrepreneur and Nazi party member Oskar Schindler goes to Krakow, Poland, where tens of thousands of Polish Jews have been forced to relocate under German occupation. Schindler wants to open a ceramics factory but lacks the necessary capital. He asks Jewish accountant Itzhak Stern to help him recruit Jewish investors, who would go unnamed, as Jews are no longer allowed to own businesses. Stern rejects the idea. However, in March 1941, when Krakow Jews are forced out of their homes and into a sixteen-block walled ghetto, Stern reconsiders. He recruits investors, who initially balk at Schindler’s offer to repay them in ceramic goods, but agree to invest when Schindler convinces them their money will be of no value in the ghetto. Itzhak Stern recruits Jewish workers for Schindler’s factory. Because it is located outside the ghetto, the workers must be deemed “essential” and receive blue cards to allow them to come and go. Stern helps some elderly and handicapped Jews get hired by forging paperwork to prove they are essential. Schindler reprimands him for this practice, but does not fire anyone. He establishes contracts with the German army, and the business gets off to a strong start. Schindler’s estranged wife, Emilie, arrives, and is not surprised when she finds her husband with another woman. Schindler brags to Emilie that he has finally achieved success, and is proud to be a war profiteer. They briefly reunite, but when Emilie offers to stay, if he promises to be faithful, Schindler sends her away. One day, he gets word that Stern has been sent to a concentration camp. He rushes to the train station, threatens the Nazi officers, and retrieves Stern, who apologizes, explaining he accidentally left home without his work card. The exasperated Schindler wonders what would have happened if he had not made it to the station in time. In the winter of 1942, Krakow Jews struggle to withstand the demoralizing conditions of the ghetto. Austrian Schutzstaffel (SS) officer Amon Goeth arrives in Krakow to oversee the building of the Plaszow forced labor camp, and establishes himself as a ruthless killer when he shoots a Jewish engineer for being too argumentative. In March 1943, Krakow Jews are again forced to relocate to Plaszow. Their “liquidation” from the ghetto results in mass bloodshed, as Nazi guards gun down anyone who attempts to hide or flee. Schindler observes the atrocity, and is struck by a young Jewish girl in a red coat, moving alone through the chaotic streets. In the ghetto’s infirmary, a Jewish doctor and nurse administer a fatal dose of medicine to patients just before SS officers burst in and shoot them in their hospital beds. At Plaszow, Goeth amuses himself by shooting slow-moving or resting workers with a sniper rifle. When Schindler’s workers fail to report to the factory, he goes to Plaszow to inquire about their whereabouts, and must ingratiate himself with Goeth to allow for their release. Word spreads that Schindler is a benevolent boss. Regina Perlman, a young Jewish woman living in Krakow under a false identity, begs Schindler to hire her parents. Schindler again reprimands Itzhak Stern for his charitable hiring practices. He defends Goeth as someone who is under tremendous pressure, who would not normally act like a tyrant. Stern relays a story about Goeth executing prisoners at random, and urges Schindler to fight against Goeth’s brutality. Schindler relents and hires Regina Perlman’s parents. The next time he visits Goeth, Schindler pulls aside his Jewish housemaid, Helen Hirsch, who recalls Goeth beating her on the first day of work, and predicts he will someday kill her. Upstairs, Schindler tells the drunken Goeth that true power is refraining from killing someone when you have every reason to do it. The next day, Goeth experiments with showing mercy toward the Jewish prisoners, but quickly gives up and kills his houseboy for failing to properly clean his bathtub. Later, Goeth paces in Helen’s quarters, struggling to restrain himself despite his strong attraction to her. Finally, instead of kissing her, he beats her. In the women’s barracks, a female prisoner shares a rumor that at some camps, Jewish prisoners are lured into gas chambers disguised as showers and killed en masse. Others cannot believe it, and laugh it off as impossible. With an incoming shipment of Hungarian Jews arriving at Plaszow, German doctors are called to determine which existing workers can stay, and who must be sent to concentration camps. Children are loaded into trucks and driven out of the camp, as their parents chase after them in desperation. Schindler goes to the train station, where departing Jews are packed into unventilated train compartments. He suggests hosing them down as a prank, but Goeth realizes Schindler is doing it out of pity, to keep them from overheating. Soon, Schindler is arrested for kissing a Jewish worker who presented him with a birthday cake. Goeth negotiates his release. In April 1944, a Nazi edict requires that buried Jewish bodies be exhumed and burned. Plaszow workers are tasked with digging up the dead bodies. Goeth tells Schindler that the “party is over,” and everyone will soon be sent to Auschwitz. Schindler concocts a plan to start a new factory in his hometown of Zwittau-Brinnlitz, Czechoslovakia. He uses all his money and belongings to bribe SS officials, including Goeth, to allow over 1,000 of his workers, named on a list, to be transferred to the new factory. He wants to add Helen Hirsch to the list, but Goeth plans to shoot her. Schindler entices him to wager Helen in a card game, and Goeth loses, allowing Schindler to rescue her. Although Schindler’s male workers arrive in Zwittau-Brinnlitz, the women are diverted to Auschwitz, due to an alleged clerical error. There, their hair is cut off and they are forced to shower in a large room that they fear is a gas chamber. Schindler goes to Auschwitz and uses diamonds to negotiate their release. SS officers try to steal his child employees, but Schindler insists he needs their small fingers to polish shell casings. Back in Zwittau-Brinnlitz, Schindler forbids SS guards from shooting any of his workers, or carrying guns on the factory floor. He reunites with his wife, Emilie, and promises to be faithful to her. When Stern warns Schindler that the company’s new artillery shells are failing tests, the satisfied Schindler vows never to produce working artillery. The workers are allowed to resume observing the Sabbath, despite the SS guards’ dismay. Just as Schindler and the factory run out of money, Germans surrender to Allied forces, bringing an end to World War II. Schindler makes an announcement to his workers and the SS guards that he is a war criminal and will flee that night. He urges the guards, who have received orders to kill all the Jews at the factory, to return home as men instead of murderers. The guards reluctantly leave. Schindler observes three minutes of silence for the Jewish victims of the war. One of the workers allows three of his gold teeth to be pulled, to fabricate a gold ring as a parting gift for Schindler. At midnight, they present him with the ring, engraved with a Hebrew saying that states, “Whoever saves one life saves the world entire.” Stern credits Schindler with saving 1,100 people. Schindler breaks down in tears, disappointed in himself for not saving more. He dons a concentration camp uniform, and flees with Emilie. The next day, a soldier arrives to tell the workers that they have been liberated, but discourages them from going back to Poland. He points them in the direction of the nearest town, where they walk to find food. In time, Goeth is arrested at a sanitarium and hanged for war crimes. Schindler’s marriage and subsequent business ventures fail. In 1958, he is named a “righteous person” by the council of Yad Vashem in Jerusalem, Israel. The descendants of the Jews he saved eventually outnumber all the Jews in Poland.

4. GONE WITH THE WIND (1940)

GONE WITH THE WIND (1940)

Cast: Thomas Mitchell, Barbara O’Neil, Vivien Leigh

Directors: Victor Fleming

Producer: David O. Selznick

Writer: Sidney Howard

Cinematographer: Lee Garmes

Genre: Romance

Production Company: Selznick International Pictures, Inc.

Composer: Max Steiner

In 1861, Scarlett O’Hara, the headstrong sixteen-year-old daughter of wealthy Georgia plantation-owner Gerald O’Hara, is sick of hearing talk about going to war with the North. She much prefers to have beaux like Brent and Stuart Tarleton talk about the next day’s barbecue at Twelve Oaks, the neighboring Wilkes plantation. When the twins reveal the “secret” that Ashley Wilkes is planning to marry his cousin Melanie Hamilton from Atlanta, Scarlett refuses to believe it because she is in love with Ashley herself. Her father later confirms the news when he returns home to Tara, the O’Hara plantation, and advises Scarlett to forget about the serious-minded Ashley, because “like should marry like.” At the barbeque, Scarlett acts coquettish with all of the young men, hoping to make Ashley jealous, then, during an afternoon rest, sneaks into the library to see him. He says that he will marry Melanie because they are alike, but leads Scarlett to believe that he loves her instead of Melanie. When he leaves, Scarlett angrily throws a vase and is startled to discover Rhett Butler, a notorious rogue from Charleston, who has been lying unnoticed on a couch the entire time. She is angry at his seeming indifference to the seriousness of her feelings for Ashley and annoyed by his frank appreciation of her physical beauty. Later, when news arrives that war has broken out between the North and the South, Scarlett is stunned to see Ashley kiss Melanie goodbye as he leaves to enlist, and in a daze accepts the impulsive proposal of Melanie’s brother Charles.
       Just after Ashley and Melanie marry, Scarlett and Charles marry as well, delighting Melanie, who tells Scarlett that now they will truly be sisters. Some time later, Scarlett receives word that Charles has died of the measles, and she is forced to don widow’s black clothing and refrain from going to the parties she loves. Her understanding mother Ellen decides to let her go to Atlanta to stay with Melanie and her Aunt Pittypat, hoping that Scarlett will feel less restless there. At an Atlanta fundraising bazaar, Scarlett is so bored watching other girls dance, that when Rhett bids for her in a dance auction, she enthusiastically leads the Virginia Reel with him, oblivious to the outrage of the shocked local matrons. Rhett, who has become a successful blockade runner, continues to see Scarlett over the next few months and brings her presents from his European trips. As the war rages, Melanie and Scarlett receive word that Ashley will be returning home on a Christmas leave. Atlanta is now suffering the privation of a long siege, but the women manage to give Ashley a small Christmas feast. Before he returns to the front, Ashley tells Scarlett that the South is losing the war and asks her to stay by the pregnant Melanie.
       Melanie goes into labor as Atlantans leave the city before Northern troops arrive. When Aunt Pitty leaves for Charleston, Scarlett desperately wants to go with her, but remembers her promise to Ashley, and remains with Melanie. Because Melanie’s labor is difficult and the doctor is too busy attending wounded soldiers to come to her aid, Scarlett must attend her alone. After the baby is born, Scarlett sends her maid Prissy for Rhett, who reluctantly arrives with a frightened horse and a wagon. Though he thinks that Scarlett is crazy when she insists upon returning to Tara, he risks his life to drive the women and the infant through the now-burning city. Outside Atlanta, as Rhett and Scarlett see the decimated Southern army in retreat, he feels ashamed and resolves to join them for their last stand. Scarlett is furious with him, even after he admits that he loves her and gives her a passionate kiss before leaving. When the women finally arrive at Tara, the plantation is a shambles and the house has been looted. Scarlett’s mother Ellen has just died of typhoid and her father’s mind is gone. Desperate for something to eat, Scarlett first tries drinking whiskey, then goes into the fields. After choking on a radish, she vows that if she lives through this she will never go hungry again. [An Intermission divides the story at this point.]
       Soon Scarlett bullies her sisters and the remaining house slaves into working in the fields. After she kills a Yankee scavenger and, with Melanie’s help, hides the body, the contents of his wallet provide them with some money for food. When the war ends, Ashley returns and Scarlett goes to him for advice when Pork, one of the former slaves who has remained with the family, tells her that $300 in taxes are owed on Tara. Ashley offers no solution to her problem, but admits once again that he loves her, even though he will never leave Melanie. More determined than ever to obtain the money after Jonas Wilkerson, a ruthless Yankee who was once Tara’s overseer, says that he is going to buy Tara when it is auctioned off for taxes, Scarlett decides to ask Rhett for the money. With no proper clothes to wear, Scarlett and her old governess, Mammy, use material from Tara’s velvet drapes for a new dress. In Atlanta, they discover that Rhett has been imprisoned by the Yankees, but has charmed his way into their good graces. Scarlett tries to pretend that everything is fine at Tara, but Rhett soon sees her roughened hands and realizes what her situation is. Because he is under arrest and his money is all in an English bank, Rhett cannot help Scarlett, so she leaves, infuriated. That same day, she runs into Frank Kennedy, her sister Suellen’s beau, and sees that he has become a successful merchant. Scarlett tricks Frank into marrying her by telling him that Suellen loves someone else, and is thus able to use his money to save Tara. Scarlett then moves to Atlanta to work at Frank’s shop and to make his fledgling lumber business a success. She also uses an unwitting Melanie to help make Ashley come to work at the lumber mill. One day, Scarlett is attacked by scavengers while driving her carriage near a shanty town, but is saved by Big Sam, a former Tara slave. Scarlett is not physically harmed, but that night Frank, Ashley and some of the other men band together to “clear out” the shanty. While Scarlett, Melanie and the other women wait at Melanie’s house, Rhett arrives to warn them that the Yankees are planning an ambush. Melanie tells him where the men have gone, and some time later, he prevents their arrest by pretending to the Yankees that they have all been drinking with him at the notorious Belle Watling’s bordello. Ashley is wounded, but Frank has died on the raid.
       A few weeks later, Scarlett, who is drinking heavily, is visited by Rhett, who proposes to her and offers to give her everything she wants. Though she says that she does not love him, she agrees to marry him, and on their expensive honeymoon, he vows to spoil her to stop her nightmares of the war. A year later, Scarlett gives birth to a daughter, whom Melanie nicknames “Bonnie Blue.” Though Rhett has never cared about Atlanta society, he now wants to ensure Bonnie’s future. He begins to acquire respectability, and within a few years his charitable contributions and sincere devotion to Bonnie impresses even the hardest of Atlanta’s matrons. Meanwhile, Scarlett still longs for Ashley and has told Rhett that she no longer wants him to share her bedroom. One day, Ashley’s sister India and some other women see Scarlett and Ashley in an embrace. Though nothing improper happened, Scarlett is afraid to attend Melanie’s birthday party for Ashley that night. A furious Rhett forces her to attend, though, then leaves. Melanie’s open affection to her makes Scarlett ashamed, and when she returns home she sneaks into the dining room to drink. There she finds Rhett drunk and a violent quarrel erupts. After Scarlett calls Rhett a drunken fool, he grabs her and carries her upstairs, angrily telling her that this night there will not be “three in a bed.” The next morning, Scarlett is happy, but when Rhett scoffs that his behavior was merely an indiscretion, her happiness turns to anger. Rhett then leaves for an extended trip to England and takes Bonnie with him.
       Some months later, because Bonnie is homesick, Rhett returns to Atlanta and discovers that Scarlett is pregnant. She is happy to see Rhett, but his smirk of indifference and accusation about Ashley enrages her so that she starts to strike him and falls down the stairs. She loses the baby, and although she calls to him during her delirium, Rhett does not know and thinks that she hates him. After she recovers, he suggests that the anger and hatred stop for Bonnie’s sake, and Scarlett agrees, but as they are talking, the headstrong Bonnie tries to make her pony take a jump and she falls and breaks her neck. Both are shattered by Bonnie’s death, especially Rhett, who refuses to let her be buried because Bonnie was afraid of the dark. Only Melanie, to whom Rhett has always felt a closeness, convinces him to let the child go. After her talk with Rhett, Melanie, who has become pregnant despite the danger to her health, collapses and suffers a miscarriage. On her deathbed, Melanie asks Scarlett to take care of Ashley, but when Scarlett sees how much the distraught Ashley loves Melanie, she finally realizes how wrong she has been for years and knows that it is Rhett she truly loves. She rushes back home and tries to prevent him from leaving her, but he will not stay because it is too late for them. Scarlett tearfully asks him what she will do and as he leaves he answers, “Frankly, my dear, I don’t give a damn.” Through her sobs, Scarlett begins to think of Tara, from which she has always gained strength, and determines that she will return there and will think of a way to get Rhett back. She resolves to think about it tomorrow for, “after all, tomorrow is another day.”

5. SPARTACUS (1960)

SPARTACUS (1960)

Cast: Kirk Douglas, Laurence Olivier, Jean Simmons

Directors: Stanley Kubrick

Producer: Kirk Douglas

Writer: Dalton Trumbo

Editor: Robert Lawrence

Cinematographer: Russell Metty

Genre: Epic

Production Company: Universal-International Pictures Co., Inc., Bryna Productions, Inc.

Composer: Alex North

During the last century of the Roman Republic, thousands are born enslaved to either the privileged class known as patricians or the wealthiest of the commoners, known as plebeians. One exceptionally strong slave in the rock mines of Libya, Spartacus, is regularly whipped for displaying his intelligence and pride. One day, Batiatus, who trains slaves to become gladiators, purchases Spartacus and several other slaves for his training camp in Capua. There, Batiatus announces that each man will be taught to fight to the death strategically, for the pleasure of patricians who enjoy the “sport.” Training proves as dehumanizing as the mines; each slave is branded, mercilessly instructed by head trainer Marcellus, and kept in cells. Spartacus tries to befriend Ethopian gladiator Draba, but soon learns that the men refuse to ally, knowing that they may be forced to kill each other. One night, Spartacus is presented the slave woman Varinia. Batiatus and Marcellus, knowing that Spartacus has never had a woman, watch from a grate above his cell as Varinia stoically undresses. Their laughter disgusts Spartacus, and after he refuses to mistreat the young woman, Batiatus takes her away as punishment for not acting as “a man.” Over the next weeks, Spartacus excels at gladiatorial skills and falls further in love with Varinia. Marcellus attempts to derail their attraction, but the couple manages to exchange furtive touches. One day, Marcus Licinius Crassus, a patrician in competition with the plebeian Gracchus for control of the Roman Senate, arrives at Capua along with his wife Lady Helena, sister-in-law Claudia and her fiancé, Marcus Glabrus. To celebrate the betrothal, Crassus insists that a gladiatorial match be arranged, ignoring Batiatus’ concern that forcing the slaves to fight to the death in their own camp could cause an uprising. Helena and Claudia choose four slaves, including Spartacus and Draba, to fight, and order them to be scantily clad. As the matches begin, the patricians banter happily, undisturbed by the desperation of the fighting men. Spartacus listens from the holding cell as a friend is killed, then enters into battle against Draba. Draba overcomes Spartacus, but, unwilling to kill his compatriot, instead attacks Crassus and is immediately killed by a guard. When Spartacus later hears that Crassus has bought Varinia, he can no longer control his rage, and attacks Marcellus. Emboldened, the other slaves follow suit and escape, forming an “army” that travels across the countryside, looting landowners and freeing slaves, who then join the swelling ranks. Word soon spreads to Rome of the slave rebellion, causing outrage in the senate. While Crassus is away, Gracchus cannily challenges Glabrus, now head of the Roman garrison, to lead some of the troops against the slaves, leaving Julius Caesar as temporary chief of the remaining garrison. When Crassus returns, he comprehends immediately that Gracchus plots to keep Glabrus out of Rome, leaving Crassus more vulnerable to attack. Meanwhile, Spartacus inspires his troops to form a united front that can sweep across the country and escape over the sea to their homelands. In one town, Spartacus is elated to find Varinia, who has escaped and now confesses her love. Back in Rome, while Crassus admires his new “body slave,” Antoninus, Gracchus schemes with Batiatus, who blames Crassus for Spartacus’ rebellion. Soon, Spartacus’ army settles at Mt. Vesuvius, where an escaped Antoninus impresses Spartacus, who longs for an education, with his songs. One day, Tigranes, a representative of Salician pirates, visits to offer the slaves support. Spartacus trades the army’s riches for 500 ships, to await the army on the east coast of Italy. Tigranes agrees to the trade, and when he wonders aloud why Spartacus believes he can defeat the mighty Roman garrison, the former slave replies that, unlike soldiers, his men are not afraid to die, since even death is preferable to a life in chains. Soon after, Glabrus arrives and, underestimating the intelligence of the slaves, fails to prepare his troops adequately. Spartacus is able to destroy the garrison and capture Glabrus, whom he sends back to the senate with the message that the army will not be stopped. Crassus is forced to banish Glabrus and retire in shame. Throughout the winter, Spartacus’ ever-growing group crosses the country, many dying along the way. In the spring, Spartacus is overjoyed to learn that Varinia is pregnant. Meanwhile, Gracchus convinces the senate to name Caesar as commander of the garrison and to send two legions to destroy Spartacus. When no one volunteers to lead the legions against Spartacus, Gracchus is forced to ask Crassus, who is delighted to head the campaign to “restore order” to Rome. Later, Gracchus reveals to Caesar that he has maneuvered the sale of the Salician ships to Spartacus, knowing that Spartacus’ triumph will spell defeat for Crassus. Although Spartacus celebrates upon reaching an encampment a mere twenty miles away from the Salician ships, Tigranes soon arrives, with the news that Pompey and Crassus have conspired to surround Spartacus’ army, necessitating the withdrawal of the ships. Spartacus realizes that Crassus is forcing him to attack Rome, which will allow the patrician to use all the troops at his disposal against them. Dismissing Tigranes’ offer to smuggle Spartacus and Antoninus, now his closest aide, to freedom, Spartacus instead stirs his troops to march against Rome. At the same time, the Romans elect Crassus as head consul and leader of the legions, and he vows to destroy Spartacus and restore order to the empire. The armies soon come within fighting distance of each other, and Crassus, single-minded in his fear of and hatred for Spartacus, pays Batiatus to identify the former slave on the battleground. Just before the battle, Spartacus tells Varinia that his only prayer is for his son to be born free and to learn about his father’s cause. Within hours, Crassus’ trained troops have overcome the slave army, and Crassus announces to the survivors that they will be spared crucifixion if they identify Spartacus. Spartacus stands to speak, but before he can sacrifice himself, Antoninus stands and declares, “I am Spartacus.” One by one, each slave follows suit, choosing death over betraying the man who brought him freedom. Enraged, Crassus orders them all to be crucified during a long march, lining the road to Rome with their bodies. He also finds Varinia, clutching Spartacus’ newborn son, and sends her to his estate. Along the march, Crassus recognizes Antoninus and then, upon spotting Spartacus, guesses he may be his enemy, and orders the two men be kept alive until they reach his estate. There, he banishes Gracchus to the country, intending to use him in the future for his popularity with the “rabble.” Soon after, Batiatus experiences what Gracchus terms “a bad case of dignity” and refuses to identify Spartacus, and instead plots with Gracchus to steal Varinia from the estate in order to irritate Crassus. Crassus dotes on Varinia, whose love he believes will prove his superiority over Spartacus but she vows never to stop loving Spartacus. Meanwhile, Spartacus mourns Varinia and his son, who he assumes have died. When Crassus confronts Spartacus, the slave spits in his face, spurring the dictator to order him to fight Antoninus to death, with the winner to be crucified. Spartacus and Antoninus fight valiantly, each trying to save the other from a more painful death, and Spartacus soon triumphs. After murmuring that he loved Spartacus like a father, Antoninus dies, and Spartacus proclaims that “he will come back, and he will be millions.” Crassus, fearful even in his victory, orders Spartacus crucified at the gates to Rome. Meanwhile, Batiatus brings Varinia and the boy to Gracchus, who presents them with falsified papers that will allow them freedom, then kills himself. As Varinia leaves Rome, she catches sight of Spartacus on the cross. In his last moments of life, Spartacus sees Varinia lift his son and hears her declare that the boy, now free, will never forget his father.

6. TITANIC (1997)

TITANIC (1997)

Cast: Leonardo DiCaprio, Kate Winslet, Billy Zane

Directors: James Cameron

Producer: James Cameron

Writer: James Cameron

Editor: Conrad Buff

Cinematographer: Russell Carpenter

Genre: Drama, Romance

Production Company: Twentieth Century Fox Film Corp., Lightstorm Entertainment , Paramount Pictures Corp.

Composer: James Horner

In 1996, a diving team led by Brock Lovett explores the sunken R.M.S. Titanic in search of treasure, specifically a large blue diamond known as the “Heart of the Ocean.” They discover a nude drawing made during the Titanic’s voyage, in which the subject, Rose DeWitt Bukater, wears the Heart of the Ocean around her neck. The woman, now Rose Dawson Calvert, is brought to the research vessel to talk with Lovett. She recalls the beginning of the Titanic’s voyage, in April 1912: in Southampton, England, seventeen-year-old Rose boards the ship with her mother, Ruth, and her fiancé, Cal Hockley. Rose despises Hockley but has resigned to marry him to restore her family’s finances and social status. Nevertheless, she contemplates suicide by throwing herself off the ship. Meanwhile, Jack Dawson, a poor young artist, has boarded the Titanic via a third-class ticket won in a poker game. Dawson happens upon Rose and dissuades her from killing herself. Hockley reacts jealously when he discovers the two together, but Rose insists that Jack saved her from an accidental fall over the side of the ship. Hockley invites the young man to join them at dinner in the first-class dining saloon. Rose continues to enjoy Jack’s company and sneaks away with him after the meal. Although she initially rejects his romantic advances, after spending more time with him, she agrees to pose for a nude sketch. In her room, she sits for him wearing only her Heart of the Ocean necklace—a gift from Cal. Afteward, they elude Cal’s bodyguard, Mr. Lovejoy, by sneaking into the cargo hold, where they have sex inside a motorcar. When they return to an upper deck, Rose and Jack witness the Titanic crash into an iceberg. A mounting hysteria ensues as officers of the ship confront the likelihood that the vessel will sink. In the meantime, Hockley finds the nude sketch of Rose. At his behest, Lovejoy plants the Heart of the Ocean necklace inside Jack’s pocket, and Jack is arrested for theft. As the ship begins to sink, passengers frantically board lifeboats. Rose separates from her mother and Hockley, and rushes to free Jack from the master-at-arms’s office. Soon after, Jack and Hockley urge Rose to take an available seat on a lifeboat, but she cannot bear to leave Jack. An angry Hockley seizes Mr. Lovejoy’s handgun and chases Rose and Jack into the first-class dining saloon, partially underwater. He shoots at them but misses. To save himself, he picks up a lost child and uses him to gain access to a lifeboat. Jack and Rose remain on the ship after all the lifeboats have been filled. Abandoned passengers fall or jump to their deaths as the ship’s stern rises. When the vessel breaks into two, Jack and Rose are plunged into the ocean. He helps her climb onto a floating piece of wood but refuses to join her lest it sink. As he succumbs to hypothermia, Jack soothes Rose with a vision of her promising future. Only Rose survives the ordeal. She is brought aboard the rescue ship, R.M.S. Carpathia, where she narrowly avoids Hockley. Arriving in New York City, Rose registers her name as Rose Dawson, and begins her new life. Back in the present, elderly Rose recalls that Hockley ultimately killed himself after the stock market crash of 1929. Impacted by her story, Lovett changes his mind and abandons his search for the Heart of the Ocean. Secretly, Rose still has the diamond in her possession, after Hockley unwittingly returned it to her while the Titanic was sinking. She goes alone to drop the diamond into the ocean, just above the wreck. Later, in a dream, she and Jack are reunited on the Titanic as it was before it sank, surrounded by other passengers who applaud when they kiss.

7. ALL QUIET ON THE WESTERN FRONT (1930)

ALL QUIET ON THE WESTERN FRONT (1930)

Cast: Louis Wolheim, Lew Ayres, John Wray

Directors: Lewis Milestone

Producer: Carl Laemmle Jr.

Writer: George Abbott

Editor: Edgar Adams

Cinematographer: Arthur Edeson

Genre: Drama

Production Company: Universal Pictures Corp.

Paul Bäumer, a young German schoolboy, along with his friends, is inspired by his schoolmaster to “save the Fatherland” and joins the Kaiser’s forces. Their illusions are soon dispelled, however, by the cruel realities of battle, relieved only by a brief romantic interlude with some French farm girls and the humorous interjections of Katz and Tjaden. When Paul, the only survivor of the group, returns home, he finds the professor still haranguing his young scholars to join the conflict; and when Paul denounces this attitude, he is proclaimed a coward by the youths. Tiring of the false impression of war at home, he returns to the front to instruct his new comrades in warfare. As the sole survivor of this group also, Paul reaches over the top of a trench to catch a butterfly and is killed by an enemy sniper. … Quiet reigns on the front lines.

8. SAVING PRIVATE RYAN (1998)

SAVING PRIVATE RYAN (1998)

Cast: Tom Hanks, Edward Burns, Tom Sizemore

Directors: Steven Spielberg

Producer: Steven Spielberg

Writer: Robert Rodat

Editor: Michael Kahn

Cinematographer: Janusz Kaminski

Genre: Drama

Production Company: Amblin Entertainment , Mutual Film Company

Composer: John Williams [composer]

In Normandy, France, an elderly veteran visits a World War II memorial and cemetery with his family, and cries at a gravesite. Decades earlier, on June 6, 1944, U.S. soldiers participate in the invasion of Normandy. Under heavy German gunfire, droves of American troops fall to their deaths on Omaha Beach. U.S. Captain John H. Miller and some of his battalion survive the ordeal. Soon after, at U.S. War Department headquarters in Washington, D.C., General Marshall gets the news that three brothers in a family of four sons have died in combat; and that the remaining brother, James Ryan, is currently stationed in Normandy with the 101st Airborne Division. Marshall orders for Private Ryan to be brought home safe to his family. Capt. Miller receives the order and selects seven men to accompany him on the rescue mission. The team includes Sergeant Horvath; Private Reiben; Private Caparzo; Private Mellish; Private Jackson; T/4 Medic Wade; and Corporal Upham, an interpreter. They meet up with the 101st Division in Neuville, France, where they locate a Private James Ryan; however, he is not the Ryan with three brothers. In the meantime, Private Caparzo is shot and killed by a German sniper. Private Jackson retaliates by killing the sniper. Miller is told by a group of soldiers moving through the area that the correct Private Ryan is stationed at a bridge in the French town of Ramelle. On the way there, Miller and his men discover two dead bodies of U.S. paratroopers near a radar site, and locate a German machine gun position. Miller chooses to engage the Germans, putting his company at risk. The ensuing skirmish leaves Wade dead. They succeed, however, and take a remaining German soldier as their prisoner. Cpl. Upham speaks to the German and convinces Miller to let him go. Private Reiben disapproves and threatens to leave, but Miller regains his confidence with a personal confession. He reveals his work as a school teacher back home, and openly regrets how many lives he has taken. While he does not actually care about Private Ryan, he wants badly to complete the mission as he hopes it will earn all of them a return home. Miller and his men continue to Ramelle, where they find Private Ryan making preparations for an impending attack on the bridge he’s been defending. Although he is devastated by the news about his brothers, he is adamant to keep fighting alongside his men. Miller agrees to join forces with Ryan’s paratrooper unit, and helps orchestrate an ambush. The ensuing fight ends in many casualties, including Privates Jackson and Mellish, and Sergeant Horvath. Capt. Miller is shot by the same German soldier he freed in Neuville. Cpl. Upham, who had advocated for the man, kills the German in retaliation. As an American plane and more ground units show up, the Germans retreat. A dying Miller is surrounded by Privates Reiben and Ryan. With his last words, he tells Ryan, “Earn this.” Back in the present, the elderly man at the memorial is Private Ryan, and the grave he visits belongs to Capt. Miller. Ryan asks his wife if his life was worthy of Miller’s sacrifice, and she assures him that it was. As he leaves, Ryan gives a heartfelt salute to Miller’s tombstone.

9. REDS (1981)

REDS (1981)

Cast: Warren Beatty, Diane Keaton, Edward Herrmann

Directors: Warren Beatty

Producer: Warren Beatty

Writer: Warren Beatty

Editor: Dede Allen

Cinematographer: Vittorio Storaro

Genre: Biography, Drama, Epic, Romance

Production Company: Paramount Pictures , J. R. S. Productions

In 1915 Portland, Oregon, aspiring journalist Louise Bryant Trullinger attends a meeting at the Liberal Club and is intrigued when the guest of honor, noted progressive writer John “Jack” Reed, states that the current war in Europe is only about “profits.” While Jack is in town to promote his magazine, The Masses, Louise convinces the handsome journalist to grant her an interview. Attracted to the earnest young woman, Jack forgets the time as he discusses his anti-war position all night. When they encounter each other later at a dinner party, Jack is surprised to learn that the seemingly independent Louise is married to a dentist. Once they are alone again, Louise propositions Jack, and the two sleep together. He invites her to return with him to New York City, describing the trip as an opportunity to have freedom and to be around other writers. Although concerned about being perceived as a “mistress” or “girl friend,” Louise abandons her husband and arrives at Jack’s apartment in Greenwich Village. There, she meets his circle of friends, artists, and fellow radicals, including Emma Goldman, Max Eastman, and the playwright Eugene O’Neill. However, Louise struggles to find her place among the intellectual conversations. She is disheartened as Jack frequently leaves to report on workers’ rights around the country, and is annoyed by his friends who come and go from the apartment as they please. While Jack accuses Louise of not writing “serious” articles, he faces criticism from an editor for reporting “red” communist propaganda. In an effort to pursue their interests with less distraction, the couple escapes the city for a seaside cottage in Provincetown, Massachusetts. There, they hang out with bohemian friends and stage experimental plays written by O’Neill. When Jack leaves to report on the Democratic National Convention, Louise has an affair with the attentive playwright. The night Jack returns, he sees Louise and O’Neill kissing, but says nothing. Instead, he asks Louise, by now divorced from Trullinger, to marry him. In 1916, the newlyweds move to a house in Croton-on-Hudson, New York. While Jack is away, the heartbroken O’Neill stops by to give Louise a love poem, but she dismisses the chance to resume their affair and hides the poem inside the book, Leaves of Grass. As Jack continues to campaign against U.S. involvement in the war, he experiences kidney problems and is advised to rest. At home one night, he finds O’Neill’s love poem and suggests to Louise that he has also been unfaithful. In the middle of their heated quarrel, she packs a suitcase and walks out. Determined to free herself from Jack’s shadow, she accepts an assignment from Bell Syndicate in 1917 and writes about the war from Paris, France, while Jack undergoes surgery to remove his damaged kidney. In her correspondence, Louise describes her job in France as “exhilarating.” However, Jack later learns from editor Pete Van Wherry that Louise was fired for not submitting substantial stories. He travels to France and invites her to join him in Petrograd, Russia, to report on a potential workers’ revolution by the Bolsheviks. Louise agrees as long as she can have her own byline and be known as “Miss Bryant.” Arriving at the Russian front by train, he and Louise observe weary soldiers abandoning the fight to join the Bolsheviks. Acquaintance Alex Gomberg arranges for the couple to stay at a vacant apartment in Petrograd and acts as translator while guiding them to rallies in the streets, where they also witness long lines for food. Jack and Louise obtain interviews with the country’s influential political figures, such as Vladimir Ilyich Lenin and Alexander Kerensky. Although the two cover the imminent insurrection together and edit each other’s articles, Louise is still reluctant to resume their relationship as husband and wife, and insists Jack sleep on the couch. At a factory one night, a large gathering of workers debate whether to strike, and one of the men persuades Jack to address the crowd. When he declares through an interpreter that American workers will follow their example, the Russians cheer and sing their revolutionary anthem, “The Internationale.” Inspired by the moment, Louise cries as Jack finds her in the crowd. The lovers reconcile and march with the Bolsheviks in their moment of triumph. In 1918, the Reeds return to Croton-on-Hudson and are determined to stay together as they write and campaign for the American worker. Louise lectures about the Russian Revolution, amid an atmosphere of mistrust about the movement in America, while Jack writes his eyewitness account, Ten Days That Shook the World, which becomes a huge success. However, they are both under surveillance by the U.S. government as communist sympathizers. When the left wing of the American Socialist Party is expelled from the organization’s convention in 1919, two rival communist factions emerge, one led by Louis Fraina and a smaller one led by Jack, called the Communist Labor Party of America (CLP). To obtain recognition from the Communist International (Comitern), the CLP elects to send Jack to Moscow, Russia, as their delegate. The development upsets Louise. Unlike her idealistic husband, she is skeptical about the possibility of a workers’ revolution in America and reminds Jack he can accomplish more as a writer than a politician. He promises to return by Christmas, but Louise refuses to join him. After Jack leaves, government agents notify Louise of a warrant for his arrest on sedition charges. Meanwhile, Jack must illegally enter Bolshevik “red” Russia, which is surrounded by counter-revolutionary forces, known as the White Army. In Moscow, he fails to obtain the endorsement of the Comitern executive committee, which believes the two communist factions in America should merge. Instead of helping Jack return to the U.S., committee head, Grigory Zinoviev, asks him to work for Russia’s Propaganda Bureau, calling him an important “engineer” in the international revolution. Jack, however, is anxious to see Louise and tries to escape the country on his own. While traveling on a railroad handcar, he is apprehended by White Army soldiers and imprisoned in Finland. When Louise learns of her husband’s predicament, she appeals to the U.S. State Department, but they are indifferent. Beside the fact that Jack left without a proper passport and visa, America is an ally of the White Army against the Bolsheviks. Through the help of Eugene O’Neill, Louise travels as a stowaway on a freighter to Norway, followed by an arduous trek through the snow toward Finland. Jack’s health deteriorates in jail as he develops scurvy, and Finnish authorities destroy telegrams from Louise notifying him she is on her way. After the Bolsheviks negotiate a prisoner exchange, Jack is released and taken back to Petrograd. Unaware of Louise’s travels, he sends numerous telegrams to her in New York and is confused by her lack of response. Emma Goldman, who is also an exile in Petrograd, comments that Louise was never a revolutionary and advises Jack to give her the chance to lead another life. When Louise finally arrives at the remote Finnish prison, she is speechless to learn her husband has been released. Meanwhile, Jack resumes his work with the revolution, and participates in a Comitern Congress, as a member of the American delegation. Emma declares that the Bolshevik movement that originally inspired them is dying and being replaced by Soviet bureaucracy, but Jack still has faith in the workers’ cause. He agrees to join Zinoviev at a Congress for the people of the Middle East, in Baku, Azerbaijan, risking a journey through hostile territory. Meanwhile, in Petrograd, Emma is shocked when she encounters Louise, who has managed to cross into Russia, and apologizes for being wrong about her commitment. During the Congress, Jack appears unwell in the chaotic atmosphere of Baku, and counter-revolutionaries ambush the Comitern train on the way back to Petrograd. Unaware if Jack has survived, Louise waits at the station when the train arrives and scans the departing passengers for her husband. After observing a dead body on a stretcher, she looks up and sees a weary Jack. As they embrace, he pleads with her not to leave him. In failing health, Jack is hospitalized in Russia and Louise rarely leaves his bedside. When she returns to his room after refilling a water bottle, she cannot hold back tears upon realizing he has died.

10. THE TEN COMMANDMENTS (1956)

THE TEN COMMANDMENTS (1956)

Cast: Charlton Heston, Yul Brynner, Anne Baxter

Directors: Cecil B. DeMille

Producer: Cecil B. DeMille

Writer: Jesse Lasky Jr.

Editor: Anne Bauchens

Cinematographer: Loyal Griggs

Genre: Epic

Production Company: Paramount Pictures Corp.

Composer: Elmer Bernstein

During the rule of Rameses I in Ancient Egypt, the pharaoh is informed that the Hebrew slaves believe that a recently seen star portends the arrival of a deliverer who will free them. Wanting to subvert the deliverer, yet unwilling to kill all the Hebrew slaves, Rameses I theorizes that the deliverer must be newly born and so orders the death of every male, Hebrew infant. Jewish slave Yochabel, along with her young daughter Miriam, prepares an ark of bulrushes and places her infant son in it. Pushing the ark into the Nile, Yochabel instructs Miriam to follow it, and the girl watches as it is found by Bithiah, the pharaoh’s daughter. The recently widowed Bithiah believes that the baby was sent by her deceased husband and, naming him Moses, dismisses the concern of her servant Memnet, who warns her that the child’s swaddling cloth was made by Levite Hebrews. Declaring that her son will be a prince of Egypt, Bithiah makes Memnet vow never to reveal his origins, although the servant secretly keeps the cloth. Thirty years later, Bithiah’s brother Sethi is pharaoh, and Moses is much loved by the Egyptians, even more than Sethi’s own son, Rameses II. Rameses is deeply jealous of Moses, who has returned from Ethiopia after conquering it in Sethi’s name. Sethi chides Rameses for not completing the treasure city for his upcoming jubilee, and Rameses blames his failure on the stubbornness of the Hebrew slaves. At Rameses’ urging, Sethi sends Moses to oversee the new city’s construction, much to the chagrin of Nefretiri, the princess who must marry Sethi’s heir. Nefretiri is in love with Moses, who shares her passion, even though Sethi has not announced whether Moses or Rameses will succeed him. In Goshen, where the new city is being built, Moses supervises Baka, the cold-hearted master builder. Also driving the slaves is Dathan, a ruthless Hebrew who has become an overseer. Dathan and Baka both desire Lilia, a Hebrew slave who is in love with the stone cutter Joshua. One day, Yochabel, now an old woman, is almost crushed by the enormous stones being used to build the city. Joshua is condemned to death for attempting to save her, and Lilia then races through the crowd to find Moses and plead for his mercy. Upon examining the scene, Moses frees Yochabel and Joshua, then decrees that not only should the exhausted, starving slaves have a day of rest, they should be fed from the temple granaries. Soon the city is almost completed, and although Rameses and the greedy priests attempt to prejudice Sethi against Moses, Sethi is pleased by Moses’ progress. Sethi announces his intention to name Moses his successor, but Memnet, determined not to let a Hebrew sit on Egypt’s throne, reveals the truth of his birth to Nefretiri. Desperate to protect her beloved, Nefretiri kills Memnet, then tries to cover her actions. She confesses all to Moses, however, when he finds the swaddling cloth. Astonished by the news, Moses seeks out Yochabel, whom Nefretiri reveals is his mother. Moses finds Yochabel just as Bithiah is pleading with her to leave Egypt before Moses learns the truth, but when Yochabel cannot deny that he is her son, Moses accepts his heritage. After being welcomed by Miriam and his brother Aaron, Moses begins working in the mud pits making bricks alongside the slaves he once commanded. Although Yochabel is convinced that Moses is the deliverer, he remains doubtful about the god of the Hebrews. Later, Nefretiri pleads with Moses to return to the palace before Sethi learns of his situation. Nefretiri’s argument that he can better help his people after he is pharaoh seems to sway Moses, but he states that first he must see Baka, who has taken Lilia to be his house slave. Moses arrives as Baka is about to whip Joshua, who had come to rescue Lilia. Infuriated by Baka’s callousness, Moses kills him, then reveals his heritage to Joshua. The amazed stone cutter declares that Moses is the deliverer, and his words are overheard by Dathan, who informs Rameses. On the day of Sethi’s jubilee, Rameses announces that he has captured the Hebrew deliverer, and the courtiers are stunned when Moses, bound in chains, is led in. Shaken, Sethi asks Moses if he would lead the slaves in revolt against him, and Moses confesses that he would free them if he could. The heartbroken Sethi then announces that Rameses will succeed him and marry Nefretiri, and leaves Moses’ fate for Rameses to determine. Rameses then escorts Moses to the edge of the vast desert and, giving him the pole to which he was bound as a staff, tells him to go forth into his kingdom. Despite his lack of water and food, Moses crosses the desert to reach Midian, where he collapses at a well tended by the daughters of Bedouin shepherd Jethro. As time passes, Moses is accepted by the Bedouins and marries Jethro’s oldest daughter, Sephora, although he confesses that he is still tormented by the thought of Nefretiri. Several years later, Moses and Sephora have a son, Gershom, and happily tend their flocks, while in Egypt, Rameses, made pharaoh after Sethi’s death, has a son with Nefretiri. One day, Moses sees a burning bush on Mt. Sinai, the holy mountain of God. Climbing up the mountain, upon which no mortal man has set foot before, Moses finds the burning bush and hears the voice of God, who orders him to return to Egypt and lead the Israelites to Sinai, where they will receive God’s laws. Although he still doubts his ability to serve God, Moses is touched by the “light of the eternal mind,” and Joshua, who escaped from Egypt, swears to accompany him, as does Sephora. [An Intermission divides the story at this point.]
       Upon reaching Egypt, Moses confronts Rameses, demanding that his people be freed. Rameses laughs at Moses’ proclamation that he brings the word of God, although Nefretiri is thrilled to see that Moses is alive. When Moses turns his staff into a serpent that swallows up the serpents produced by the Egyptian priests, Rameses dismisses his actions as a magician’s tricks, then continues to ignore Moses’ pleas to free his people, even though God sets loose nine plagues upon Egypt. Finally, after Moses turns the Nile into blood for seven days, Rameses’ advisors urge him to acquiesce, but the pharaoh insists that there must be a natural explanation for the phenomenon. When Rameses again denies Moses, Moses asserts that one final, terrible plague will be brought upon the Egyptians by Rameses’ own words. Scornful, Rameses declares that the next day, his soldiers will kill all the firstborn Hebrew children. Rameses’ words are turned back upon him, however, when the Hebrews protect their children by painting their doors with lambs’ blood, and a spreading pestilence kills every other firstborn child, including Rameses’ own son. Grief-stricken, Rameses grants the slaves their freedom, but after the exodus has begun, the vengeful Nefretiri taunts Rameses until he orders his charioteers to chase the freed slaves. Soon the Egyptian forces find the Hebrews by the Red Sea, and Dathan foments a call for Moses’ death for leading them to certain doom. To demonstrate the power of the Lord, Moses uses his staff to part the Red Sea and clear a path for the Hebrews, while God’s pillar of fire holds back the chariots. When the fire dissipates, Rameses orders his soldiers to cross the Red Sea, but before they can reach the Hebrews, Moses restores the sea and the Egyptians are drowned. Defeated, Rameses returns to the palace and there declares to Nefretiri that the god of Moses cannot be defied. Soon after, Moses leads his people to the base of Mt. Sinai and ascends the mountain to receive God’s laws. As forty days pass, the people grow anxious, with Dathan proclaiming that because Moses must be dead, the people should return to Egypt, where at least they can find food. Dathan assures the people that if they follow an Egyptian idol, they will be safe from the pharaoh’s wrath, and Aaron is ordered to craft a large, golden calf. Meanwhile, on the mountain, Moses witnesses God’s finger carve His ten commandments on two stone tablets. When Moses comes down from the mountain to share the laws, he is horrified to see the people worshipping the calf. Dathan attempts to defy Moses, but Moses throws the tablets on the ground, causing an immense earthquake that swallows the nonbelievers. Although they are forced by God’s anger to wander the wilderness for forty years, Moses and his people remain strong in their faith, until one day, they come to the River Jordan, across which lays their promised land. Moses informs his family that God has told him that he shall not pass the river, however, and gives his staff and robe to Joshua, thereby anointing him the new leader. With the restored tablets in the ark of the covenant, Moses urges his people to proclaim liberty throughout the land, then waves farewell as he ascends Mt. Nebo.

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